ItsaBass
New member
Re: chibson les paul....chinese copy gibsons
Sheesh! You disagree with an opinion, so you attack the legitimacy of others to have it. That's silly. At this time, I own many Gibsons:
'60's B-25 (unsure of year)
'68 ES-330
'68 SG Standard
'83 Les Paul Custom
'01 Les Paul Junior
'03 Les Paul Melody Maker
'04 Les Paul Standard
'06 Explorer
I have owned others in the past:
'67 ES-345
'94 Les Paul Standard
2000 Historic Black Beauty three pickup
2001 ES-333
2001 Les Paul Studio Plus
2012 SG Special Faded
'01 MIJ Epiphone SG Standard (hard-tail '61 reissue)
I never actually purchased a '70's one because I never found one that spoke to me...or if I did, I couldn't afford it at the time. There were some good ones in there every now and then, though they really were mostly ****. My only Norlin is the '83, and it is **** as well. It just looks cool, and it's kind of sentimental to me, so I keep it.
And aside from all that, having worked in vintage shops in the past, I've played all sorts of guitars from all sorts of companies from all sorts of eras. And my dad was a friend of one of the most well known vintage guitar dealers in the world, and I grew up in and around his collection and his shop, spending hours upon hours in there picking his brain and playing old guitars. I am intimately familiar with Gibson's products over the past 60 years; why else would I be so disgusted with the company these days? To me, today they are the worst they have ever been, hands down. And that's just speaking of quality, not of their business practices, or even of their pricing, which is another issue. (And, to their credit, the Custom Shop makes great guitars.)
You may not agree with my opinion, or with my attitude about Gibson, and I don't expect anyone to do so. And I am certainly far from a compete expert on guitars...but I am not ignorant by any means. I'm not just plain blowing uneducated opinions out of my ass, as you implied. They are opinions I have formed based on my own gathering of information...and not just playing a few or owning a few. It's a lot of information and firsthand experience. It's not just me spouting off ignorantly, without any firsthand experience. It's not just me regurgitating what I've heard from others. I love what the Gibson company was before Norlin, and I love what they became after Norlin. Now they have gone down a very bad road under the same guy who "rescued" them in the first place. It's very sad and disturbing to me, and unfortunately indicative of American industry in general.
And aside from all that, I just can't get all up in arms about the fakes, as they pose no threat anyhow. They simply do not directly compete with Gibson. They are no real threat to the company. Nobody buys them as an alternative to a real Gibson, and nobody buys them thinking that they compete with real Gibsons. I have a hard time thinking that what the counterfeiters are doing is really all that bad in the grand scheme of things, especially when I view what Gibson themselves turn out these days as cheap knockoffs of their own stuff anyhow.
And to the other guy who mad the cheez-whiz comment, you obviously didn't understand what I wrote. I didn't say the Chinese fakes are as good as real Gibsons. I said that there is no way you can be really disappointed with them as guitars if you have realistic expectations. Only a complete idiot who deserves what they get buys one thinking it's gonna compete with a real one.
I am wondering how many of the people slamming Gibson are actually Gibson owners. I don't see how a consumer can slam a product if there have never been a consumer of that product. All of the owners in the Post Your Les Paul Picture Thread seem more than happy with Gibson and their guitars. Case-in-point most Gibson owners purchase additional guitars from the company, there are tons of pictures of multiple guitar collections.
Sheesh! You disagree with an opinion, so you attack the legitimacy of others to have it. That's silly. At this time, I own many Gibsons:
'60's B-25 (unsure of year)
'68 ES-330
'68 SG Standard
'83 Les Paul Custom
'01 Les Paul Junior
'03 Les Paul Melody Maker
'04 Les Paul Standard
'06 Explorer
I have owned others in the past:
'67 ES-345
'94 Les Paul Standard
2000 Historic Black Beauty three pickup
2001 ES-333
2001 Les Paul Studio Plus
2012 SG Special Faded
'01 MIJ Epiphone SG Standard (hard-tail '61 reissue)
I never actually purchased a '70's one because I never found one that spoke to me...or if I did, I couldn't afford it at the time. There were some good ones in there every now and then, though they really were mostly ****. My only Norlin is the '83, and it is **** as well. It just looks cool, and it's kind of sentimental to me, so I keep it.
And aside from all that, having worked in vintage shops in the past, I've played all sorts of guitars from all sorts of companies from all sorts of eras. And my dad was a friend of one of the most well known vintage guitar dealers in the world, and I grew up in and around his collection and his shop, spending hours upon hours in there picking his brain and playing old guitars. I am intimately familiar with Gibson's products over the past 60 years; why else would I be so disgusted with the company these days? To me, today they are the worst they have ever been, hands down. And that's just speaking of quality, not of their business practices, or even of their pricing, which is another issue. (And, to their credit, the Custom Shop makes great guitars.)
You may not agree with my opinion, or with my attitude about Gibson, and I don't expect anyone to do so. And I am certainly far from a compete expert on guitars...but I am not ignorant by any means. I'm not just plain blowing uneducated opinions out of my ass, as you implied. They are opinions I have formed based on my own gathering of information...and not just playing a few or owning a few. It's a lot of information and firsthand experience. It's not just me spouting off ignorantly, without any firsthand experience. It's not just me regurgitating what I've heard from others. I love what the Gibson company was before Norlin, and I love what they became after Norlin. Now they have gone down a very bad road under the same guy who "rescued" them in the first place. It's very sad and disturbing to me, and unfortunately indicative of American industry in general.
And aside from all that, I just can't get all up in arms about the fakes, as they pose no threat anyhow. They simply do not directly compete with Gibson. They are no real threat to the company. Nobody buys them as an alternative to a real Gibson, and nobody buys them thinking that they compete with real Gibsons. I have a hard time thinking that what the counterfeiters are doing is really all that bad in the grand scheme of things, especially when I view what Gibson themselves turn out these days as cheap knockoffs of their own stuff anyhow.
And to the other guy who mad the cheez-whiz comment, you obviously didn't understand what I wrote. I didn't say the Chinese fakes are as good as real Gibsons. I said that there is no way you can be really disappointed with them as guitars if you have realistic expectations. Only a complete idiot who deserves what they get buys one thinking it's gonna compete with a real one.
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