jdm61 said:HMMMMMM........I'm planning to get an SG for slide purposes one of these days. I think I'll keep the A2 Anni Seths for that eventuality. Lew to the rescue once again. :bigthumb:
jdm61 said:Interesting Lew.....I know a couple of guys at the shop I go to who like the 57's better than the BB's. I asked why and they said because they are potted and don't squeal like the Seths or BB's. Didn't know that....or if it's bu even true. The ones I had in my 90's R7 sounded great but the BB's that cam in the R9 sounded pretty darn good too. The fact that there are so many more great pickups around today makes our jobs as gearheads and tweak freaks really tough.....lol
jdm61 said:Its interesting that both guitarists from ABB get that kind of sound from minimal gear. I saw an interview with Warren Haynes. He said for the Mule stuff, he uses Marshall, Soldano, Diaz, effects, etc, but for the Beacon CD it was just him plugged straight into a 100w Plexi RI.
jeremy said:warren still uses two amps with the brothers, a marshall and a diaz.
ive seen derek play thru a randall (different one than the beacon dvd, although he sounds great there too) and sound great. it really is in the hands. the last few times ive seen him, he's had two sgs. one that i think had antiquitys, the other had 57 classics i bet. the one he played most had the ants and sounded sweeter, the other had a little more edge and bite. i saw him break 3 strings in one show this summer so there was lots of guitar switching
Lewguitar said:I've seen him play recently too. I loved his version of that Horace Silver (I think???) tune: Afro Blue.
J Moose said:I knew it first as a Coltrane tune but a lot of people have done it over the years. I'm not sure who's credited with writing Afro Blue, but it's a standard in these parts at jazz/blues open mics.
jeremy said:i saw him break 3 strings in one show this summer so there was lots of guitar switching
Truant said:Mongo Santamaria
...a drummer!![]()
Lewguitar said:He just played one SG all night through a blackface Fender Super Reverb. I had no way of knowing what exact pickups were in his guitar other than that they sounded like alnico 2 humbuckers and sounded smoother than I remember my 57 Classics sounding...but I don't play exclusively with my thumb and fingers the way he does.
Jeremy's description of the Antiquitys sounding sweeter and the 57 Classics having more edge and bite is spot on accurate, IMO. I heard the 57 Classics that came in my Les Paul 59 Historic as being just a little metallic...although other than the Burstbuckers I think the 57 Classics were the best sounding humbuckers Gibson had come up with since the early 60's.Lew