Fattening Guitar tone

[LesStrat]

This will be obvious to some, and new to others. I’m not the expert, but I’m finding useful tricks and techniques.

We are listening to a track we recently recorded, and the guitar tone is HUGE.

What did I do?

I double tracked. Same tone. Same signal path.

Different guitars.

We have recorded a couple of others that I used different tones with different guitars. I’m getting fantastic tones.

My next challenge is a clean strat riff. I’m thinking of doubling an acoustic. What do you think?

 

[jeremy]

doubling with an acoustic can sound great. even on dirty parts, it adds clarity and punch

 

[Sam SG]

Try differant amps too. Years ago one of my coolest tones was a my same strat double tracked one track with a Marshall Plexi other track with a Sunn Model T both with an MXR Dist plus as a boost.

 

[Chris Pile]

Take a tip from Glenn Fricker - speakers color tone to a big extent. And truthfully - it's your whole chain from finger to speaker cone that creates your sound.

 

[GuitarStv]

Double tracking might work well depending on the piece. I've found that stereo micing seems to make my acoustic tracks sound much bigger too. I like to put an LDC about three feet back and an SDC about a foot from the guitar, pointed at the 12th fret. Then you have to futz around with the positioning a bit to avoid phase cancellation if you're summing to mono and to find the best sounding spot. In the track itself, pan one mic 50-80% left and the other 50-80% right and add a touch of 'verb. I wouldn't spend the time for an acoustic track that's just strumming in a busy mix, but if you're doing something where the acoustic is more on display this technique can really make things shine.

 

[Securb]

I use a few tricks in parallel

• I record two amps in stereo - The VOX brings in that clarity Jeremy is talking about
• I use an EP type delay with a boost, there is an almost unnoticeable delay on the signal w/boost
• On leads, I use a harmonizer once agin set subtle it almost sounds like a chorus
• I also double the guitars

 

[Snake Aces]

Fat guitar tone has been my obsession for over 20 years. Like Securb, I like running two amps.

However, I was able to achieve a fat tone in Europe from 2013 to 2015 using a single Laney Cub12R loaded with a Cannabis Rex.

Now I have a super fat tone using two amps, a 2x12 with a head, and a 1x12 combo. I am currently looking to separate the combo into a head and two 1x12s.

Fat tone without sacrificing cleans is what it's all about for me. It always will be.

 

[LesStrat]

Try differant amps too. Years ago one of my coolest tones was a my same strat double tracked one track with a Marshall Plexi other track with a Sunn Model T both with an MXR Dist plus as a boost.

To clarify: in my 2nd example, the different tones were completely different signal paths from beginning to end.

My first example was interesting because the only change was the guitar. The guitars sound different enough to alter the tone, but similar enough to mesh. The result was glorious!

I am going to try doubling with the acoustic next week. The song we’re doing has this funky, clean riff driving it (in the vein of Finish What You Started). I don’t know want to change the tone, and I don’t think doubling the same guitar will get the result I seek.

No, I’m not suggesting that the song sounds like VH. It’s just the style it reminds me of.

 

[Mincer]

VH didn't double the rhythms on the first few VH albums....and it sounded pretty fat. I think there are many paths to get there.