Chickenwings
Alnico 6/8
Re: Fender Hot Rod Deluxe 3 loud and clean?
all true.
all true.
If you really want loud and clean at gigging volumes don't buy a HR anything. They are not bad amps, they're just not designed for that. Spend the extra cash and get a twin reverb or twin, or better yet buy used. I had a HR deville for years, and it was an act of frustration trying get more clean headroom out of that thing.
You and I have different definitions of loud. My dual showman reverb ontop of 2 4x12's loaded with wizards and swamp thangs was loud. Hell, that same rig in halfstack form was loud. A 60 watt amp designed to distort at around "4" on the volume with two not-so efficient speakers is just band practice volume
WTF band are you practicing with? I play in a Stones tribute band and I can get away with using my 5 watt Champ in practice. My other guitarist uses his Traynor YCV20 (15 watts). Most bands I've been in practice with the rule that if you can't hear the kick drum (unmiked) then everyone is too loud.
My SRRI is 45 watts and that thing is take the paint off the walls loud at about 7 on the volume knob. I used to have a HRDv 212 and I fully agree with ImmortalSix that it's brutally loud.
You and I have different definitions of loud. My dual showman reverb ontop of 2 4x12's loaded with wizards and swamp thangs was loud. Hell, that same rig in halfstack form was loud. A 60 watt amp designed to distort at around "4" on the volume with two not-so efficient speakers is just band practice volume
WTF band are you practicing with? I play in a Stones tribute band and I can get away with using my 5 watt Champ in practice. My other guitarist uses his Traynor YCV20 (15 watts). Most bands I've been in practice with the rule that if you can't hear the kick drum (unmiked) then everyone is too loud.
My SRRI is 45 watts and that thing is take the paint off the walls loud at about 7 on the volume knob. I used to have a HRDv 212 and I fully agree with ImmortalSix that it's brutally loud.
A prog band that has to go from clean and pretty to big and dirty and everything in between. Clean headroom and audible dynamics are key, i mean with a little amp you can't softly strum big chords for that dead-clean chime and be heard, nor can you get enough... bass, intensity, amount of air moving needed to play big parts
In a stones tribute band I could see how a little amp would work though, i mean if you're drummer's got like a catalina club kit or something with an 18" bass drum and you pretty much play at two-ish levels of intensity at places where people sit and talk a small amp is perfect. There's a band in town that has a doorsy kinda vibe and dude uses an ac15, sounds great.