Robert Delahunt
Showmasterologist
All,
Some jazz and/or fusion that I've heard sometimes has these fast runs of descending notes, around a pentatonic theme. I was wondering: are they doing these using pull-offs? Or are they running enough compressor that you can't hear the pick attack? I'll try to post an audio clip of what I'm talking about.
Are pull-offs just very hard? Or is it me? I want to make the sequence very fluid, but I'm not sure how else to do it.
Some jazz and/or fusion that I've heard sometimes has these fast runs of descending notes, around a pentatonic theme. I was wondering: are they doing these using pull-offs? Or are they running enough compressor that you can't hear the pick attack? I'll try to post an audio clip of what I'm talking about.
Are pull-offs just very hard? Or is it me? I want to make the sequence very fluid, but I'm not sure how else to do it.