V
Varg
Guest
You know what I mean, when you hit a note in a solo and it goes "waaaah" without a wah pedal. I always assumed it was something certain pickups did - my JBs all do it, the Distortion I put in my new Charvel Star does it to a really silly (I mean fantastic!) extent...*
I just put a Full Shred in the bridge of my Gibson LP Studio Faded and was NOT getting that vowely- lead tone at all. But from a search on here, it's apparently something that pickup should be doing.
So I tried raising the poles on the bridge side and...there we go, the vowely-y tone is there!
I've never seen anyone note this before - so, is this a coincidence, or does changing the pole heights make this vowel-y tone more distinct? I was wondering if it's a bit like when people say the hybrid's sound "3D", because they have two different coils at work. So, in a regular pickup, especially one like the Full Shred where you can adjust BOTH rows of poles, I thought creating a greater difference in height between each pair of poles on each string will - in a way - make each bobbin work in a quite different way and do something similar to this "3D" effect.
???
Anyone else noticed this? Or am I imagining things? :scratchch
* That Distortion is an SH-6, in a guitar with a Floyd. So I, guess what, raised the poles on the high E and B strings a fair bit more than I normally would to compensate. Which would tie in with what I seem to be noticing here.....
I just put a Full Shred in the bridge of my Gibson LP Studio Faded and was NOT getting that vowely- lead tone at all. But from a search on here, it's apparently something that pickup should be doing.
So I tried raising the poles on the bridge side and...there we go, the vowely-y tone is there!
I've never seen anyone note this before - so, is this a coincidence, or does changing the pole heights make this vowel-y tone more distinct? I was wondering if it's a bit like when people say the hybrid's sound "3D", because they have two different coils at work. So, in a regular pickup, especially one like the Full Shred where you can adjust BOTH rows of poles, I thought creating a greater difference in height between each pair of poles on each string will - in a way - make each bobbin work in a quite different way and do something similar to this "3D" effect.
???
Anyone else noticed this? Or am I imagining things? :scratchch
* That Distortion is an SH-6, in a guitar with a Floyd. So I, guess what, raised the poles on the high E and B strings a fair bit more than I normally would to compensate. Which would tie in with what I seem to be noticing here.....