What cab is that Night Train pushing? I notice no lack of lowend at the shop when i run ours through a 1960A...and i have a reputation for always adding too much lowend to my sound.
That little lunchbox is a LOT of amp for the money. I would try a 2x12 or even a 4x12 before i went looking at a new brain for your rig. Then if the bigger cabinet isn't doing the job I would track down a used higher-wattage tube amp.
Do not fear eBay or online deals! Buying used gear is as good if not better than a store with a return policy because you can usually get what you paid for a used piece. Buy it, try it, sell it if you don't like it. You only lose if you sell it in a rush for less than you paid.
Also, have you tried the MA series heads? I'm starting to like them better than DSL's. They're more 'mid gain' but that just means it still sounds good with the gain up all the way and not muddy and sludgey. The price they're asking for them makes them pretty competitive with used DSL's...
This may help. May not, but it could.
The Haze 40 was IMO the best amp in that price bracket that I tried out. The MA50C was a close second.
IMO, the Marshall Haze 40 succeeds at offering classic crunchy Marshall valve overdrive at a sensible sound pressure level for club, bar and garage venues. Using a more powerful amplifier turned down low does not allow it to give of its best.
Where the Haze 40 loses out to the DSL/TSL designs is in the maximum available gain. Some players will feel the need of a Distortion or Booster pedal to roughen things up.
I like your resourcefulness. however, the first link, the guy sells mostly Kustom stuff. not really what I'm looking for, per se.
Dan's Guitar Repair did the bone nut for my strat. The other week he had 2 HRDx's for cheap, a silverface vibrochamp (actually a Bronco amp), and a room full of Dr. Z stuff that I didn't get to try out. Outta my price range for sure!
The one other store in the area is a peavey dealer. I kinda liked the JSX hald stack but that thing was expensive and the ultra channel was OK but not great. they had a peavey windsor and I think it needed new tubes.
Saint George sucks. There's no market for guitar gear down here. I see the same gear hanging out in these shops for months.
yeah I should see if I can get to vegas maybe. my car is half mine and half my brothers and he has to use it for work so sometimes it's hard getting the car long enough to make a day out of going there trying stuff but I think I need to.
I really enjoy your wording there. that's rich.Tie your eggs before.
yeah I should see if I can get to vegas maybe. my car is half mine and half my brothers and he has to use it for work so sometimes it's hard getting the car long enough to make a day out of going there trying stuff but I think I need to.
yea, but do ya need that much headroom in an apartment?:lmao:
I just spent a lot of time with the MA50 half stack in my shop.
I really like it.
Enough gain for Slayer...more optimal for a british medium-gain tone but will go heavier. Barely even got the master volume up...probably gets heavier when that's cranked.
If I was gonna buy a new Marshall I think that'd be the one. Great value for the money.
ill tell you right now, i have a stock dsl100, new tubes and it signs full bodied tone at .75 on the volume..so the haze is worthless if you can have a good bedroom level with the dsl, and if you wantto blast the house with great amazing rock tones, the dsl do can as well.
Its a full package inside and out.
Unless you are playing stadiums, then a combo amp is fine. Actually a lot more useable for the reasons you mentioned - and by the fact that less speakers means it is easier to dial in a good sound for the front of house guy to mic.
There is no way in the wide world i can imagine "needing" a jcm 800 MV half stack at a gig. Heck - i didn't even need one when i used mine in some outdoor arenas at festivals - and that was nearly 20 years ago. Times have changed. Combos are good for the vast majority of working musicians. Once there is a Mic on the speaker, the front of house sound is governed by that - so do you need 4 or 8? Better to have a smaller amp that you can turn up past 3.
I still have my 100w JCM, but if i want to record a classic marshall crunch sound, then I just squirt it thru a 1x12!
The Haze sounds like the amp you have already decided on- however, its also worth trying an HRD also - they are the most popular tube amp in the world right now. They are not "hand wired" or "boutique", but they have what it takes to do the job, night after night for professional musicians across the globe.
If you want mainly good crunch, then get the marshall. If clean is more important to you, get the fender. OR..... if you like the night train, then maybe a vox AC30 would be the best option...
RE: MArshalls, and which one (haze vs. dsl etc)....I have always found it is better to spend your money on gear that you can use in 20 years. If the haze fits that bill, then buy that...if it is a compromise then maybe wait and get an amp you will be happy with.
I just spent a lot of time with the MA50 half stack in my shop.
I really like it.
i was pretty surprised. i remember testing them when they first came in and saying "Yeah that's a Marshall" but i never really sat there and drilled it like i did last night.
The cleans are clean, the overdrive is overdriven and the boost makes it heavier. What else do you need?