M
MetalMike_II
Guest
<gushing>
after going back and forth with all my other guitars for hours at a time I am liking it more and more
No camera - pics here all on one page
http://www.musicplayers.com/reviews/guitars/2006/0806_IbanezRGT42DX.php
culprit: Ibanez RGT42dxfm-tlf
alias: cheap knock-off of the Prestige RGT
construction: neck-thru
5-piece maple/walnut centerpiece w/ beautiful rosewood board
mahogany body wings
flame maple laminate top
finish: satin, matte finish
color: bluish-grayish-lavender ("Transparent Lavender Flat")
hardware color: I don't know, gray, burnished nickel-looking, like a modern plumbing fixture
("Powder Cosmo (Satin Black Chrome)")
guts: only aftermarket items are pickups. Everything else is stock
- PAF Joe in the neck, white
- Mo' Joe in the bridge, white
Volume, Tone, 5-way knife
- bridge
- bridge and neck, inner coils only
- bridge and neck
- neck in parallel
- neck in series
Edge 2 floating tremolo and locking nut
cosmetics:
matching peg head
white logo
white binding around the gorgeous 2-tone rosewood board
(lots of light and dark browns in the rosewood)
subtle sawtooth inlays, probably fake, but subdued abalone-ish looking
bonus:
eye-popping bluish-gray guitar with white trim and white pickups
versatile pickup combinations
vocal-sounding super strat
low action, greasy, fast player
soft sounds
crispy punchy sounds
sweet stratty sounds
fat Gibson sounds
smooth ranges in the electronics
nice volume and tone action and range, very different...
...but somehow high-quality feeling and sounding,
...very smooth volume and tone controls
setup needed:
shim under the nut to line up the geometries a bit better for ultra-low action
action, light truss, intonation, 3 pickup set swaps, trem springs in a V
guitars compared:
- hardtail Wolfgangs with rosewood and ebony (basswood, maple bolt-on)
- Ernie Ball Musicman EVH sig (basswood, maple bolt-on with Floyd)
- Warmoth Soloist (alder/maple bolt-on with OFR)
results:
I am as suprised as anyone. A year and $2000 into a frustrating Warmoth project and I pluck a $550 axe off the wall and 3 weeks later after the relatively easy setup and pickup decisions I have something I love 10 times as much.
Ordinarily with my guitars my guitar volume sits at 9, just enough to cut that little bit of timbre and sibilance I don't need. But, with the Ibanez's volume at 6 or 7 and the tone at 7 or 8, I have the strangest, smoothest, sweetest tone with vocal chord quality, and punchy, soft yet clear single note lines. Very mid-ranged, but softly so, well balanced, but loose. Choke up on the pick and bring the crispy. Fast arpeggios snap and pop.
Bring up the guitar volume and tone from there and it just gets smoothly and gradually more metal and reminds me of some ESP neck-thrus I have tried. There are no timbre-jumps when you go from 7.6 to 7.9, no sudden increases in volume. These electronics just have the smoothest range in them. Turning them up you get more than just Timbre or Edge or actual Volume - that you get by going from 0 to 6, after that and it's more like the last 40% is reserved for Intensity.
Fast playing Wizard profile and wide playing surface up high. Super easy access to every string on the 24th fret thanks to the huge cutaway afforded by the neck-thru construction.
WIZARD II Neck Dimensions
Scale Length: 648mm/25.5"
Width At Nut: 43mm (1.69")
Width At Last Fret: 56mm (2.20")
Thickness At 1st Fret: 19mm
Thickness At 12th Fret: 21mm
Radius: 400
It is not the RGT featured on Ibanez's site: http://www.ibanez.com/eg/guitar.aspx?m=RGT42DXFM
which is a different color and a different trem
It is this one (very, very cool pic although you can't quite make out the maple and walnut strips going all the way up--in person with the shifting light you can see the neck-thru construction clearly and it looks magnificent):
http://www.musicplayers.com/reviews/guitars/2006/images/rgt42dxBack-big.jpg
</gushing>
after going back and forth with all my other guitars for hours at a time I am liking it more and more
No camera - pics here all on one page
http://www.musicplayers.com/reviews/guitars/2006/0806_IbanezRGT42DX.php
culprit: Ibanez RGT42dxfm-tlf
alias: cheap knock-off of the Prestige RGT
construction: neck-thru
5-piece maple/walnut centerpiece w/ beautiful rosewood board
mahogany body wings
flame maple laminate top
finish: satin, matte finish
color: bluish-grayish-lavender ("Transparent Lavender Flat")
hardware color: I don't know, gray, burnished nickel-looking, like a modern plumbing fixture
("Powder Cosmo (Satin Black Chrome)")
guts: only aftermarket items are pickups. Everything else is stock
- PAF Joe in the neck, white
- Mo' Joe in the bridge, white
Volume, Tone, 5-way knife
- bridge
- bridge and neck, inner coils only
- bridge and neck
- neck in parallel
- neck in series
Edge 2 floating tremolo and locking nut
cosmetics:
matching peg head
white logo
white binding around the gorgeous 2-tone rosewood board
(lots of light and dark browns in the rosewood)
subtle sawtooth inlays, probably fake, but subdued abalone-ish looking
bonus:
eye-popping bluish-gray guitar with white trim and white pickups
versatile pickup combinations
vocal-sounding super strat
low action, greasy, fast player
soft sounds
crispy punchy sounds
sweet stratty sounds
fat Gibson sounds
smooth ranges in the electronics
nice volume and tone action and range, very different...
...but somehow high-quality feeling and sounding,
...very smooth volume and tone controls
setup needed:
shim under the nut to line up the geometries a bit better for ultra-low action
action, light truss, intonation, 3 pickup set swaps, trem springs in a V
guitars compared:
- hardtail Wolfgangs with rosewood and ebony (basswood, maple bolt-on)
- Ernie Ball Musicman EVH sig (basswood, maple bolt-on with Floyd)
- Warmoth Soloist (alder/maple bolt-on with OFR)
results:
I am as suprised as anyone. A year and $2000 into a frustrating Warmoth project and I pluck a $550 axe off the wall and 3 weeks later after the relatively easy setup and pickup decisions I have something I love 10 times as much.
Ordinarily with my guitars my guitar volume sits at 9, just enough to cut that little bit of timbre and sibilance I don't need. But, with the Ibanez's volume at 6 or 7 and the tone at 7 or 8, I have the strangest, smoothest, sweetest tone with vocal chord quality, and punchy, soft yet clear single note lines. Very mid-ranged, but softly so, well balanced, but loose. Choke up on the pick and bring the crispy. Fast arpeggios snap and pop.
Bring up the guitar volume and tone from there and it just gets smoothly and gradually more metal and reminds me of some ESP neck-thrus I have tried. There are no timbre-jumps when you go from 7.6 to 7.9, no sudden increases in volume. These electronics just have the smoothest range in them. Turning them up you get more than just Timbre or Edge or actual Volume - that you get by going from 0 to 6, after that and it's more like the last 40% is reserved for Intensity.
Fast playing Wizard profile and wide playing surface up high. Super easy access to every string on the 24th fret thanks to the huge cutaway afforded by the neck-thru construction.
WIZARD II Neck Dimensions
Scale Length: 648mm/25.5"
Width At Nut: 43mm (1.69")
Width At Last Fret: 56mm (2.20")
Thickness At 1st Fret: 19mm
Thickness At 12th Fret: 21mm
Radius: 400
It is not the RGT featured on Ibanez's site: http://www.ibanez.com/eg/guitar.aspx?m=RGT42DXFM
which is a different color and a different trem
It is this one (very, very cool pic although you can't quite make out the maple and walnut strips going all the way up--in person with the shifting light you can see the neck-thru construction clearly and it looks magnificent):
http://www.musicplayers.com/reviews/guitars/2006/images/rgt42dxBack-big.jpg
</gushing>