Re: How do bad quality cables effect sound?
Here's u'r link.
http://www.tonequest.com/ray.htm
So to sum it up, the Strat pickups of the mid to late 60’s were of lower resistance – weaker – and because of that they sounded better when combined with certain gain-boosting effects…
Yeah, it made them clearer and more appropriate for being used with a lot of different effects. Lenny Kravitz was the opening act for a lot of the Dylan dates when I was on the tour, and I really took him under my wing. I was the only one that didn’t call him… you know, the word... In the Dylan camp, everyone is very prejudiced – it’s very tough to be around those people. Anyway, I sent messages to both Lenny Kravitz and Eric Johnson that part of the secret to getting great tone was using weaker pickups and coil cables. The coil cables add a lot of capacitance and inductance to your signal chain, therefore, when you’re playing through a Marshall, you’re cutting back on the high frequencies. When we were doing the In Step album with Stevie, I had an endorsement with Monster Cables. They would send me all of this free stuff and I was very excited because I could manage these things for a guy like Stevie, who really didn’t even know how to wash dishes. All he knew how to do was play the guitar, but God bless him for that, because he really did something with what he knew. Anyway, I took these cables we got to Stevie and he said, “I hate these things.” I asked him, “Why, man, they’re the best cables in the world?” He said, “They pass to much electricity.” Those were his exact words, and I’ll never forget it as long as I live. “They pass too much electricity.”
They were too efficient…
Yeah, so he sent me out to the local Radio Shack and told me to buy every gray coil cord they had – not the black ones, only the gray ones. And I thought, “Hhmm, this freakin’ hick from Dallas is telling me this?” I got them and ran them through my capacitance meter and found out that they added like almost .05 mfd to the signal chain. That made it sound solid – it was like having a tone control, and the brightness and harshness that the Marshalls had was eliminated. There isn’t a single picture of Hendrix… back then they already had high-end cables, but there isn’t a single picture of Hendrix where you see him playing with a straight cable. Why? This is something I brought up to Eric Johnson – whether he heard me or not I don’t know, but it could be the second coming of coil cables.