Re: How does wood effect tone technically?
In a nutshell, without going into the exact physics of what exactly happens in denser or "lighter" materials and how sound travels in different construction types (Fretfire is on the right track):
1. Denser heavier woods tend to let more high frequencies through
2. More porous woods tend to let the bass "breathe" better thanks to the overall greater surface area
3. Natural oils still in the wood will attenuate high frequencies
The size of pores and type /content of oil will "bleed" frequencies of different bandwidtsh in different amounts, these are just as a general rule of thumb.
For Example, we´ll look at a few common woods.
Maple is a very dense wood, quite non-porous, with little to no natural oils, so it´s expectedly on the brighter side of the spectrum
Ash is similar, but more porous, so the Bass gets a bit thicker
Alder or poplar are lighter, but again close grained, but with a bit higher mineral content (the green streaks in Poplar, for example), and therefore end up pretty "middle of the road"
Mahogany is generally a bit denser, but has more natural oils and open pores, so it sounds darker still
Rosewood is very dense, but it has more natural oils than any other common guitar wood, hence it´s notably more "rounded" tone as a fretboard or neck wood (compared ot maple) but it´s significantly brighter tone than mahogany.
Ebony os harder than any of the others, has nearly zero visible pores, but sounds darker than maple, yet brighter than Rosewood. Why?
Exactly, once again, those pesky natural oils are at it again screwing up our density / pores = tone equation... Goshdarn it, go back to nature if you´re so hot on it :laugh2:
BTW, this is also one of the reasons it´s if prime importance that wood is properly dried before being turned into guitars.
Also, remember that as soon as a finish goes on top, the tone will also become darker.... how much depends on the exact type, drying time, and final thickness.
