Re: I can't mic a guitar anymore
thanks for additional links and input!
I typically use a 57 clone straight into my fostex mr-8, do some stuff in logic express afterwards (varies a lot what that may be).
here's my latest non-mic'ed test, for what it's worth:
http://www.soundclick.com/util/getplayer.m3u?id=7358779&q=hi
not sure if I'll keep along these lines, but with some distorty midrangy bass I think it may work. for this dealio I'm likely just gonna do a bunch of takes, including mic'ed (incorporating some if the new ideas here) as well as directs and see what pairs well with what. probably a combo burrito of some sort.
ok for mic test my 2 cents:
1. use same drums with more dynamics cause it can shape metal tones. do 2 clips - one with line6 and one with micing. like seymour duncan pickups. that way the variables are lessened.
drums with the deep bass and treble snares. metal is like that - youtube videos of live shows just dont sound right alot of time for metal since dynamics for djent heavy picking dont show. if it was blues the video would be more acceptable though I think, because of the nature of the music.
2. What is your demo for? to find other bandmates? Knowing the purpose of and goal is half the battle. You seem pretty concerned about the sound. quick fix: I think if everything on your demo sounds like variations of Atlanta Song it will be a winner.
3. Atlanta song dynamics are alot better than other songs like this demo etc. I dont think the vocals are adding to your music really. Dynamics are really important
so if its a shootout between
atlanta song and your other stuff like pentecostal snake, atlanta song wins by a big landslide over all the other demos you have.
even if its modeling. cause it has the chug and is well written and no spoken word/ punk vocals? not sure. but I think the tone is better - dynamics (palm muting is like listening to a bullet - in person it sounds like a machine gun but far away in a building sounds like someone beating a bat on the side of a refrigerator) ...dynamics of loud/soft and amount of high frequency fizz is important for the distortion.
4. compression, amp distortion, and eq are ultra important. its like a recipe, yaknow? prolly needs alot less amp distortion and more compression, and messing with the eq - stuff like that makes a huge diff.
5. ya mic issues - I see used sm-58s on craigslist and ebay - may make the diff