The Silver Jubilee is never going to sound/react like a traditional Marshall. You will read many comments on its diode clipping assembly, but, this is not what makes the Silver Jubilee tone (and feel) so unique. The most affective difference, is the Silver Jubilee plate-driven tone stack vs traditional Marshall cathode-follower arrangement. No amount of discussion will convince, nor am I trying... I've owned many Marshall amplifiers since 1978. IMO, the Silver Jubilee is the best sounding MV amplifier that Marshall has ever made. MV is spot-on, tone controls give incredible control, effects loop is the best in the biz, 1/2 power has variac-like response, bass stays tight - yet musical. A fabulous amplifier! I sold my Cornford MK, and Bogner 100B, after playing a 50 watt '87 Silver Jubilee.
If you do get a Silver Jubilee, try to secure a made for Canada model. They don't come with a 16 ohm load setting, but that doesn't matter. These are (and this is just my opinion) the best sounding of the Silver Jubilee line. Apparently, the PT is a more robustly built, laydown type design. Also... The 1988-1990 black tolex models are the same as the late model silver tolex version.
As far as diode clipping goes, who cares? If it sounds good, it is good. I use diode clipping pedals with my Ampeg and VOX rigs with stellar results! As a matter of fact, my gigging rig for nearly 20 years was a 1972 Marshall Super Lead + diode clipping distortion... I don't recall anyone ever complaining about my tone. Not from the audience, or from those who played through my rig. Leave the
diode clipping vs tube clipping guff to the nutswingers on TGP.
This 2554 combo arrived this afternoon via UPS. Yeah... I'm a fan.
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