RevJToad
New member
Hey folks. After years of playing single coils exclusively, I've finally acquired my first Les Paul - a ridiculously good deal on a '94. The sustain on this thing was shocking (not to mention extremely gratifying) when I brought it home and plugged it in.
But as is to be expected, there's trouble in paradise: the pickups are microphonic. This is a problem, cause my current gigging band is punk, and there's a couple of songs that call for extended feedback bursts, which means cranking it, which results in that nasty microphonic screaming.
So I've been debating potting the pups on it now (I haven't opened it up yet, so I'm not sure whether they're stock or something else - I got it at a pawn shop). The instructions at guitarnuts.com seem fairly straightforward. That said, I've had good experiences with various Duncan pickups in the past, so I'm also considering just replacing them. Problem: I dont really have a clue what to put in there.
What I want is for this thing to do it all. I know I won't get that, so I'm looking for the closest approximation. It's been suggested by several people that I should put something hot in the bridge and something more mellow in the neck, which makes sense. I actually have a '59 neck pup right now, so before I buy anything new for the neck I'll try that one out there, so I'm after suggestions for the bridge.
While I do play punk, I'm by no means a shredder, so I don't really want anything too insane in there, but I do want something that can snarl some. I'm a big fan of Billy Gibbons (Tush is one of the covers we do), so the Pearly Gates is the first thing I looked at, and currently the only thing in the running. Anyone got any other suggestions for something that can sound good clean, but push my tubes a bit when it's called upon to do so?
But as is to be expected, there's trouble in paradise: the pickups are microphonic. This is a problem, cause my current gigging band is punk, and there's a couple of songs that call for extended feedback bursts, which means cranking it, which results in that nasty microphonic screaming.
So I've been debating potting the pups on it now (I haven't opened it up yet, so I'm not sure whether they're stock or something else - I got it at a pawn shop). The instructions at guitarnuts.com seem fairly straightforward. That said, I've had good experiences with various Duncan pickups in the past, so I'm also considering just replacing them. Problem: I dont really have a clue what to put in there.
What I want is for this thing to do it all. I know I won't get that, so I'm looking for the closest approximation. It's been suggested by several people that I should put something hot in the bridge and something more mellow in the neck, which makes sense. I actually have a '59 neck pup right now, so before I buy anything new for the neck I'll try that one out there, so I'm after suggestions for the bridge.
While I do play punk, I'm by no means a shredder, so I don't really want anything too insane in there, but I do want something that can snarl some. I'm a big fan of Billy Gibbons (Tush is one of the covers we do), so the Pearly Gates is the first thing I looked at, and currently the only thing in the running. Anyone got any other suggestions for something that can sound good clean, but push my tubes a bit when it's called upon to do so?