Re: Low Watt Tube Amps vs High Watt?
As a musician that's playing live now, I can see both sides of the spectrum much more clearly. I used to be an avid "less watts is more tone" kinda guy, but I realize that live you're talking a whole 'nuther world.
Honestly, there is no way I would gig with anything less than 30w. With my Vox style amps, I do get a very light breakup on the cleans at the point where I can be heard over a loud drummer. Boost pedals help get my signal loud enough so that my solos can be heard loud and clear. It takes a little bit of work, but I like the amount of tube saturation I get at that point. I play medium gain rock, so it's not all light crunch.
For at home practicing, I can get pretty decent tones at (what I consider) reasonable volumes. I've owned higher wattage amps and they definitely don't work for home, I've learned that the hard way
If you're playing live and you don't want to worry about micing amps in a medium to large sized gig, a 50w amp really isn't a bad idea. Higher wattage amps typically have more punch and a bigger frequency, but in order to get some real drive, you've really gotta crank them (and in some places, that's just not reasonable). Higher wattage amps will give you more headroom (which is great for cleans), but that means it will take a lot more to really get that power tube saturation. There are some amps that don't like to be broken up too much like Mesas, and the preamp gain typically works fine for that kind of sound, so it's only the fans of power tube saturation that will be hurt by buying a high wattage amp in a playing environment other than a medium to large club. Lower wattage amps have to be miced for larger venues and for some higher wattage fans, they don't trust their sound in the hands of sound guys at the venues, so they prefer to go unmiced.
All in all, it's a tradeoff. In a perfect world, I would have amps with 100w clean power and 30w for an overdrive channel (or some sort of power scaling technology for just the overdrive channel).