I'm not sure really what you're getting at. My answer would be that I'm not a Marshall Fan. I like the JVM series but don't love it. And i don't really like other marshall products but i'm not old enough to know marshall in its' hay-day. Todays Hi-gain amp manufacturers all owe a debt of gratitude to Marshall for starting it all but it seems that Marshall has been slow moving giant that is following trends instead of creating them now.
i couldn't care less wether marshall is a leader, follower, or what. I've played a few of their amps and I like them. I can see how they became this popular.
this DSL happens to have a damn good set of features, great tone, and versatility, without breaking the bank. There's some other amps in the same price range that give the same satisfaction to different people but I play blues, blues rock, classic rock, and punk. I love the sound of overdriven el34s, and wanted reverb and channel switching. I really got all of that. So at least to me, they're worth the hype.
Thanks for the reply and out of curiosity how does your DSL sound at low bedroom volumes?
Ever listened to any music made before 1990?I'm just curious as to why Marshall has become so revered and popular
Ever listened to any music made before 1990?
Lately I've just been curious about marshalls at first I turned away because I wanted something more creamy but I changed my mind lol. And I wanted to see what average Joe guitar players think about them not an endorsee.
As mentioned none of them sound all that great unless you run 'em near or at full throttle. Even the newer models meant to sound better at lower volumes (DSLs, VM/JVM etc) don't sound all that great until you really open them up, and for most people and places, it's way too loud.
Still fun as hell to crank it up though.What was Lew's quote?
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