Those are AmericanFretFire said:Very nice, ESPECIALLY the Highway 1 series.
JB_From_Hell said:Those are American![]()
FretFire said:Very nice, ESPECIALLY the Highway 1 series.
the guy who invented fire said:HW1 guitars are MIA...
Hellion said:MIM Strats and Teles are the best deal for the dollar right now. They make good ones and bad ones, to be sure, but for a minimum investment, you'll get an instrument that is playable right out of the box, sounds like it's supposed to sound and that you can modify over time to better suit your personality. My MIM Strat is still stock with the exception of the saddles and frets. The Tele has been converted to the Bastardcaster, but neither one of those instruments cost me over $300 initially.
screamingdaisy said:If you're willing to sift through a bunch to find the good ones, and you already planned to replacing the stock pickups, the MIMs are a good bang for their buck.
I've replaced the pickups, nut, and bridge saddles in mine (the stock ones buzz together). It's one of the best playing guitars I own. The stock tuners have been stable holding 13-70 strings in D standard for the better part of a year now, so I see no need to replace them.
midnite_man said:I've thought of looking into a Mex.Tele....do you feel the same applies to Tele's as it does to Strat's, in regards to good ones/bad ones? Or can any of these guitars essentially be set-up and tweaked to play as good as any other Tele out there?
I'm thinking that most of this issue stems from the strong possibility that Mex.-made Strats are produced faster than Amer.-made, diminishing the quality and time put into making the MIM a better-playing and sounding guitar. It ends up being the consumer who has to make the MIM Fender axes be "all that they can be," instead of Fender sending them out the door that way. Of course and as usual, the 'ol "pay for what you get" theory comes into play once again, my friends.
Just my opinion. But I've even known guys who swore by certain models of Fender Squire Strats because of the way they played and sounded after being gone-over.