missionamps
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Re: Mission Amps American 18 watter, 5F11 type amp.
Guitar bass notes are around 83Hz and up to maybe 200Hz ... any guitar amp tuned for big power output at lower then that is just wasting PA energy and it
taxes the smaller OTs found in guitar amps. And by the way, most guitar speakers are down many dB from 80HZ on down so they whole setup can end up being a mismatch.
I try to blend and match these facts into a more positive, focused way.
Even though the 5E3 can only muster about 12 watts output on a great day, you can do a similar thing with 5E3 but it doesn't sound like the vintage 5E3 any more and some players don't want that. That's why they record so well.... you can fix it all later.
With respect to 6V6s, I wouldn't say the bass in 6V6s flubs out for any reason singular in nature, just to 6V6sl... the output transformers found in many 6V6s amps are really a little small and the amps are frequently voiced with too much bass response in the first place. As as you get louder and louder, the PA stage (including the OT and power tubes) can be a bit overwhelmed. This is one of the things you'll discover working with pro players... the overall bass level in the player's guitar, amps and tone is really down many dB from what weekend warriors will use. When a pro sound is mixed properly on stage with a bass player and other instruments, (or in a studio) this is where the orchestration and sonic alignment comes into play.
I know that sounds goofy when talking about rock n' roll, blues or any modern music... but it still applies just as did 200 years ago.
There is a little tonal shift with power tube tremolo because the bias of the power tubes is greatly modulation... this changes the Q of the PA and also can increase or decrease the overall B+ to previous preamp stages so they shift in tone a smidge too.
It is very subtle but gives the tremolo a little bit of a warble/leslie effect.
The Aurora is more like tweed Bassman meets VOX AC50 at half the power with a small bit of 50 watt Marshall tuning thrown in... and the 18w Aurora has volume, treble, bass, master volume and a pedal boost that completely changes the tone stack to give the tone a 3dB to 6dB boosted sound, a little like a mid range squanky, wha-wha pedal stuck on a little bit.
Like the V-Lux, the Aurora also has a similar HB vs SC pickup tuning switch on the chassis.
The switch is really just a way to shelve some of the abundant, very low frequency energy found in HB pickups that can muddy up many amps with too high of bass and low midrange output.
Yes, in this circuit... tuned the way I have it now, the bass response is actually less and tighter...more focused at guitar bass freqs and up.Bruce,
I have read here, or perhaps on another forum, that bass response with 6V6s tends to "flub out" at higher volumes (or is it under distortion?). If there is any validity to those claims, would that effect be lessened as wattage is increased? I mean, generally speaking, in addition to the extra headroom, would the response remain tighter using the higher wattage 5F11 circuit vs the 5E3?
Guitar bass notes are around 83Hz and up to maybe 200Hz ... any guitar amp tuned for big power output at lower then that is just wasting PA energy and it
taxes the smaller OTs found in guitar amps. And by the way, most guitar speakers are down many dB from 80HZ on down so they whole setup can end up being a mismatch.
I try to blend and match these facts into a more positive, focused way.
Even though the 5E3 can only muster about 12 watts output on a great day, you can do a similar thing with 5E3 but it doesn't sound like the vintage 5E3 any more and some players don't want that. That's why they record so well.... you can fix it all later.
With respect to 6V6s, I wouldn't say the bass in 6V6s flubs out for any reason singular in nature, just to 6V6sl... the output transformers found in many 6V6s amps are really a little small and the amps are frequently voiced with too much bass response in the first place. As as you get louder and louder, the PA stage (including the OT and power tubes) can be a bit overwhelmed. This is one of the things you'll discover working with pro players... the overall bass level in the player's guitar, amps and tone is really down many dB from what weekend warriors will use. When a pro sound is mixed properly on stage with a bass player and other instruments, (or in a studio) this is where the orchestration and sonic alignment comes into play.
I know that sounds goofy when talking about rock n' roll, blues or any modern music... but it still applies just as did 200 years ago.
It is power tube tremolo so the effect is constant regardless of the preamp volume... in other words, what ever the signal is going into the power tubes, it is not really effected by the tremolo but the amount of power tube volume is going up and down.I am also a tremolo freak .......... does the intensity vary at all as a function of volume setting, or can you set the intensity level and it remains constant through volume level changes?
There is a little tonal shift with power tube tremolo because the bias of the power tubes is greatly modulation... this changes the Q of the PA and also can increase or decrease the overall B+ to previous preamp stages so they shift in tone a smidge too.
It is very subtle but gives the tremolo a little bit of a warble/leslie effect.
Two totally different amp topologies.In layman's terms, aside form the addition of tremolo, how is this amp different from the Aurora?
The Aurora is more like tweed Bassman meets VOX AC50 at half the power with a small bit of 50 watt Marshall tuning thrown in... and the 18w Aurora has volume, treble, bass, master volume and a pedal boost that completely changes the tone stack to give the tone a 3dB to 6dB boosted sound, a little like a mid range squanky, wha-wha pedal stuck on a little bit.
Like the V-Lux, the Aurora also has a similar HB vs SC pickup tuning switch on the chassis.
The switch is really just a way to shelve some of the abundant, very low frequency energy found in HB pickups that can muddy up many amps with too high of bass and low midrange output.
In today's typical venues I find that most players can get by with amps well under 30 watts with <20 watts, a few pedals for FX and great speakers being the real "money setup".I ask because I am technically challenged but intend to own or at least order an amp in the 18-22 watt range before the end of the year.