Most controversial thread of nearly all-time

Re: Most controversial thread of nearly all-time

My satin finished guitar ended up glossy after ten or so years of use, so I'm not sure I see the point. :P
 
Re: Most controversial thread of nearly all-time

I agree with this. You'd think it would be an easy thing...I think companies want the cheap guitars to look all glossy and blingy.

The ultra hard glossy finishes also have the advantage that they are less likely to pick up dings in a guitar store.

I supposed that is less of a problem for basses where the customers might be a bit more selective and/or mature.
 
Re: Most controversial thread of nearly all-time

Ha, shots fired.....

surrender.gif
 
Re: Most controversial thread of nearly all-time

That green bass is pretty conservative Ace. It's just a Les Paul double cut. The one directly above this post reminds me of some of the high end acoustics that Taylor is doing lately,
 
Re: Most controversial thread of nearly all-time

That green bass is pretty conservative Ace. It's just a Les Paul double cut. The one directly above this post reminds me of some of the high end acoustics that Taylor is doing lately,

I see what's going on here! Ace has the itch to buy a bass and is using this as a setup!! "Gosh, there sure are some sexy bases out there" will be followed by "You fellas won't believe what I just bought!"

Amiright or amiright?
 
Re: Most controversial thread of nearly all-time

All those fancy woods and strange electronics are great if you don’t care what they sound like.
 
Re: Most controversial thread of nearly all-time

All those fancy woods and strange electronics are great if you don’t care what they sound like.

Active EQ in a bass makes a lot of sense.

And you get the usual side effect that you are now independent of cable capacitance and input stage impedance. Good for consistency.
 
Re: Most controversial thread of nearly all-time

Active EQ in a bass makes a lot of sense.

And you get the usual side effect that you are now independent of cable capacitance and input stage impedance. Good for consistency.

Yeah, it was half joke half semi-truth, the latter ‘semi-truth’ meaning simply I’ve never seen bass players obsess over what pickups were in Jaco Pastorius’ bass or how to sound exactly like Tim Bogert or what wood was James Jameson’s bass made out of, the way guitar players do. Guitar players don’t venture out of the box because they are always copying someone, so their gear is always a repeat of the past. Bass players I know seem to obsess more on technique and methods; how did Billy Sheehan do the raking lines such-a-such song, and what scale was Stanley Clarke using in middle part of his solo on the live video, what string gauges does Larry Graham use, etc.

(Disclaimer: I’m not a bass player, so my bass references are probably laughable to a true bass player. Those are just names I know and have listened to.)

The point simply is: bass players don’t keep themselves in a gear box, copying someone else’s sound, the way guitar players do.
 
Re: Most controversial thread of nearly all-time

fairly or unfairly -I have always equated overly curvaceous exotic wood basses with farty jazzy tones

While I might appreciate the craftsmanship of those basses, those tones and those kinds of players are impossible to listen to.
 
Re: Most controversial thread of nearly all-time

While I might appreciate the craftsmanship of those basses, those tones and those kinds of players are impossible to listen to.

what is that lifeless farting tone that so many jazz players dig? -i think they believe it makes them sound like a lively double bass -but not to me.
 
Re: Most controversial thread of nearly all-time

what is that lifeless farting tone that so many jazz players dig? -i think they believe it makes them sound like a lively double bass -but not to me.
It's not a fart, it's a burp. Jazz burp. Players like it cause it responds well to a variety of techniques, doesn't get muddy when doing chord work, and makes the best use of lighter gauge strings that play faster and bend easier.

Sent from my SM-N950U using Tapatalk
 
Re: Most controversial thread of nearly all-time

It's not a fart, it's a burp. Jazz burp. Players like it cause it responds well to a variety of techniques, doesn't get muddy when doing chord work, and makes the best use of lighter gauge strings that play faster and bend easier.

Sent from my SM-N950U using Tapatalk
Don't ask me. I like the "banging on a piano string" bass tone.

Sent from my Alcatel_5044C using Tapatalk
 
Re: Most controversial thread of nearly all-time

It's not a fart, it's a burp. Jazz burp. Players like it cause it responds well to a variety of techniques, doesn't get muddy when doing chord work, and makes the best use of lighter gauge strings that play faster and bend easier.

Sent from my SM-N950U using Tapatalk

It's a fart... and the whole idea is muddy to me. :lmao:

I'm just bustin' jazz ballz

Prefer actual double bass for jazz, because I prefer Jazz before it was relegated to elevators.
 
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Re: Most controversial thread of nearly all-time

What about weight and balance? Do some of these exotic basses weigh a ton?

The best sounding and playing bass I played once during a jam session was the regular house band's bass player's Warwick with a wenge neck. It was not too furniture looking and was not too heavy or a neck diver.

It is kind of funny watching you tubes of Allen Woody playing a forest green, hair metal looking, BC Rich bass along side Warren and Dickey playing 50's Les Pauls. Great bass tone, though.
 
Re: Most controversial thread of nearly all-time

Don't ask me. I like the "banging on a piano string" bass tone.

Sent from my Alcatel_5044C using Tapatalk

That's what I like. Give me Chris Squire, any day over the smooth jazz slap-a-thon with 22 strings.
 
Re: Most controversial thread of nearly all-time

That's what I like. Give me Chris Squire, any day over the smooth jazz slap-a-thon with 22 strings.


I dunno . . . there's some jazzy 22 string bass playing that really appeals to me:

 
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