NEW: Fender Hot Rod III Series

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Fender said:
Scottsdale, AZ (Sept. 9, 2010) – Fender releases the new Hot Rod III series amplifiers, featuring several upgrades based on player feedback, including improved speakers, enhanced circuits and revised cosmetic appointments. The new Hot Rod III series includes the Hot Rod Deville 410 III, Hot Rod Deville 212 III, Hot Rod Deluxe, Blues Junior III and Pro Junior III amps.

All Hot Rod III series amps include easier-to-read black control panels, new badges, “dog bone” handles, heavy-duty chicken-head knobs and LED jewel lights. Additionally, the Hot Rod DeVille and Deluxe amps feature graduated volume and treble pot tapers, and include new low-profile “pedalboard friendly” footswitches.

Here's what Fender has to say about the new amps:

The Hot Rod DeVille 410 III is a 60-watt combo with a classic 4x10” speaker configuration borrowed from the legendary Super Reverb and ’59 Bassman amps, offering the low-end headroom characteristic of 6L6 tubes, a versatile all-12AX7 tube preamp and an effects loop. It produces amazing clean and overdriven tones and luscious spring reverb, and is able to power an additional speaker cabinet thanks to its 8-ohm extension speaker output. The Hot Rod DeVille 212 III shares the same circuit, output and features as its 410 counterpart, with the exception of its classic 2x12” speaker configuration borrowed from the legendary Twin Reverb amp, courtesy of two 12” Celestion G12P-80 speakers. MSRP $1199.99 (410), $1159.99 (212)

The ever-popular Hot Rod Deluxe is a 40-watt single 12” combo—the standard for gigging guitarists worldwide—and features a 12” Celestion G12P-80 speaker and new “tighter” overdrive circuit. Players wanting to add a little more output, fullness and stage coverage can add a matching 112 extension enclosure. $959.99

The Blues Junior III is a 15-watt warm-toned, longtime favorite—the perfect grab-and-go tube amp for stage and studio. It is known for the fat mid tones characteristic of EL-84 output tubes, warm 12AX7 preamp tube overdrive, real spring reverb, simple control layout, footswitchable FAT boost, external speaker capability, and is powered by a highly-sensitive Fender Special Design 12” “lightning bolt” speaker by Eminence®. It now includes front-reading text on the control panel and new “sparkle” circuit mod, and rattle-reducing shock absorbers for the EL-84 tubes. MSRP $699.99

The Pro Junior III is a simple, uncluttered 15-watt tone machine and delivers the fat mid tones characteristic of EL-84 output tubes, driven by a dual-12AX7 tube preamp and a 10” Fender Special Design speaker with vintage cone. Additional features include unique clean-to-drive volume control, lower-noise shielding, rattle-reducing shock absorbers for the EL-84 output tubes and external speaker capability. MSRP $549.99
 
Re: NEW: Fender Hot Rod III Series

I never thought the Pro Jr. had any issues whatsoever, so yes...sweet.
 
Re: NEW: Fender Hot Rod III Series

I wanna hear the new Bjr and I'm glad they used new pots on the HRDx. 'bout time.
 
Re: NEW: Fender Hot Rod III Series

I think i will eventually make my hot rod a head. its fully possible.

i remember seeing the ad for these in a mag and going D'OH
 
Re: NEW: Fender Hot Rod III Series

Cool. Looks like they've been listening to all the major complaints about that line.

Ever since the Supersonic came out, I thought "I guess Fender does know how to make an amp with really good crunch. Maybe they should apply that knowledge to the HR series ..."
 
Re: NEW: Fender Hot Rod III Series

Cool. Looks like they've been listening to all the major complaints about that line.

Ever since the Supersonic came out, I thought "I guess Fender does know how to make an amp with really good crunch. Maybe they should apply that knowledge to the HR series ..."

Nah, that would make sense ! They ain't that smart.:1:
 
Re: NEW: Fender Hot Rod III Series

I'm pretty happy with this. I'm thinking it'll drive the price of the previous Hot Rods down. Maybe I'll pick up a Bjr then.
 
Re: NEW: Fender Hot Rod III Series

"gearmandude" on yootoob has a pretty decent demo of one of these he put up a couple weeks ago- the "gain channel" sounds certainly seem better- less farty lows and harsh highs.

I know my interest has piqued markedly with the new series- never was a fan of the HR series at all or the BJ/PJ all that much. These seem like some real improvements, barring the "ugly factor". Fender really needs a better aesthetic for these -they have always looked cheap-even just a switch to different tolex makes for a marked difference (witness the custom color BJs of recent years)
 
Re: NEW: Fender Hot Rod III Series

these amps in this line are real popular around here and have been since they were released... i've been wanting the HR Deluxe for a while... i didn't like the Drive channel 100% but the clean channel was nice... i'll have to give the new version a spin... i saw the local shop has them in stock...

a big complaint was the backwards black labels on the chrome faceplate on the old ones... glad they changed that!
 
Re: NEW: Fender Hot Rod III Series

The DeVille 2x12 interests me.

I'd like to A-B it against a Peavey Classic 50....
 
Re: NEW: Fender Hot Rod III Series

I'm dying to play the blues jr with the "sparkle" circuit.
 
Re: NEW: Fender Hot Rod III Series

The DeVille 2x12 interests me.

I'd like to A-B it against a Peavey Classic 50....

I did that at my local store when I was on my big amp search.

Both amps are very clean and direct. The Fender was warmer to my ears, while the Peavey seemed a little more "closed." Hard to describe.

The 6L6 vs EL84 difference was very obvious. The Fender (6L6) had much better lows. Which I'm into. I'd venture a guess that the Peavey has "better" crunch, but I was only listening to clean channels when I was shopping, so I couldn't say.
 
Re: NEW: Fender Hot Rod III Series

I played the Pro jr III, the Blues Jr III, and the HRDx III today.

Pro Jr: Never played one before, can't compare it to the old pro jr. Nice warmth in the clean tone! Pretty spiffy amp, way different from the last el84 amp I owned (night train). Could use reverb!

Blues Jr: They somehow took a bit of the "boxiness" outta the amp (it still has some, probably the cab). It sounds a lil closer to the HRDx now when run clean. Less bass of course, but they got the midrange sound to match up better. The fat switch is still capable of making things sound "flubby", so I dunno it's cool at lower gain/volume I guess. Much better looking now if you ask me.

HRDx: nice change in the drive channel. "More drive" is totally useable now, even at low volumes. It's tighter, just like they said. The regular drive channel also sounds less "ratty". There was this blaring upper midrange that the old HRDx's have that seems to be gone now.
Clean channel is as good as always, so if you kinda liked the HRDx before, you may really like it now that you can use both channels.
Oh and the linear pot on the master is awesome. No longer will the jump from "2" to "3" be like "0 to 60 in 3 seconds flat" kinda thing.

Whatever it is that they did to the blues jr and the HRDx, the amps feel closer to each other in tone and feel now. Some of the "retooling and upgrades" are just cosmetics but there's definitely a real sonic change here that I think is totally worth it.
 
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