F
Funkfingers
Guest
Re: New Products - Opinions Please / On-Board Circuits
This is a big topic.
I play both guitar and bass. I find that my approach and attitude to onboard electronics is different for the respective instruments.
On bass, it is often sufficient to dial up one good tone and use it through an entire piece of music. On guitar, it is often necessary to vary the sound(s) for different sections of one piece of music and back again.
Active three band equalisation is excellent for making small, incremental changes to the overall tone of a (largely) single note instrument. Active multi-band EQ is not convenient for making rapid shifts of tone. Also, cutting/boosting discreet frequency bands can have a detrimental effect on chords.
Simple, variable midrange boost is a boon to Stratocaster players. For some reason, I have never fancied the idea of a mid-booster on a Telecaster. Maybe the T has enough midrange already?
I have experimented with the EMG EXG and SPC circuits. I swiftly got hissed off at them. (Too much op-amp noise at high boost settings.)
I own an example of the 1980s SD Tone Circuits Midrange EQ Prototype. (As seen on Frank Zappa's blonde Performance "Stratocaster".) I was about to mount in inside an old effect pedal case. Er, haven't you already made a product that does this?
Some ideas, such as an onboard envelope filter built into a bass guitar, are brilliant but they immediately turn the instrument into a niche product, thereby limiting potential sales.
My gist is that most of the products that guitarists and bassists might want are already available.
We were discussing new products to release and one of the things we're talking about are on-board circuits for guitar. They could be mid-boost, EQ, or anything for that matter.
What do you think about that?
Would you buy one for your guitar?
If so, what product sounds the coolest to you?
If so, how much would you pay?
Our goal is to give you the tools you need. Thank you in advance for offering your opinions here.
This is a big topic.
I play both guitar and bass. I find that my approach and attitude to onboard electronics is different for the respective instruments.
On bass, it is often sufficient to dial up one good tone and use it through an entire piece of music. On guitar, it is often necessary to vary the sound(s) for different sections of one piece of music and back again.
Active three band equalisation is excellent for making small, incremental changes to the overall tone of a (largely) single note instrument. Active multi-band EQ is not convenient for making rapid shifts of tone. Also, cutting/boosting discreet frequency bands can have a detrimental effect on chords.
Simple, variable midrange boost is a boon to Stratocaster players. For some reason, I have never fancied the idea of a mid-booster on a Telecaster. Maybe the T has enough midrange already?
I have experimented with the EMG EXG and SPC circuits. I swiftly got hissed off at them. (Too much op-amp noise at high boost settings.)
I own an example of the 1980s SD Tone Circuits Midrange EQ Prototype. (As seen on Frank Zappa's blonde Performance "Stratocaster".) I was about to mount in inside an old effect pedal case. Er, haven't you already made a product that does this?
Some ideas, such as an onboard envelope filter built into a bass guitar, are brilliant but they immediately turn the instrument into a niche product, thereby limiting potential sales.
My gist is that most of the products that guitarists and bassists might want are already available.