In my Epi Les Paul I tried a Custom 5 in the bridge and a Pearly Gates in the neck.
I HATED the C5, it was far too scooped (the same reason I hated the 59s in my Gibby LP) so I changed it for a Screamin' Demon. I loved the combo of the Demon and PG as it covered alot of ground and didn't sound out of place in any context.
What sort of sound were you going for? If it was me I would actually swap your idea around and run the PG in the bridge and the 59 in the neck or even running the PG in both slots would be good.
What amp etc are you using with it?
Well, the 59 is the pickup of choice in these parts for a Jimmy Page sound for bridge and neck. Will you be doing the Page wiring system as well?
However - can't argue with the PG neck option! I have one in a Epi Classic and it sounds fantastic.
PG/59 is a fantastic all around combo and should work just fine for what you want to do - and the Vox/fender will agree with them too.
I say go for it, unless you are really a Page purist, in which case two 59's would be recommended. I prefer the PG/59 set though.
The PG is your best choice for the neck.
The '59 is a bit too bright (trebly) for the bridge without some mag swapping, IMO.
I have considered the 59/59 combo and will probably do the Jimmy Page wiring system,I just really liked the sound of the PG's.
I'm semi retired and have time to do the things I want should have done this years ago,I'm finding this forum to be a great resource
Thanks Guys