Inflames626
New member
Re: Passive alternatives to EMG 81/85's ?
I can't imagine a pup with less output than an HZ3 actually--just very even and flat sounding. And that includes my using a Gibson 57+ Alnico II in the bridge (which was fine for metal boosted and dialed in right).
I've always had a tough problem cleaning up overwound pups but not boosting underwound ones, so I usually start conservative on the hotness and go up as I need. Tone isn't as important these days as feel--tone isn't worth it if you're fighting the pups to hear your technique come through.
I agree with Rex that the 81 can be harsh, but in a different way than a Duncan Distortion. A lot of people find 81s to be choked off with a narrow frequency range compared to other pups--that's just part of that "all high mids" thing. But it sits well in a mix and cuts through if you're mixed well. Going to 18 volts rounded off some of the sharpness of the transients, which I didn't liked, but added on more body, which I did like.
I also agree on more lows and highs with passives. I was very surprised when I switched to passives about ten years ago and found myself with more lows and highs than EMGs. Where actives shine, I think, are in consistency of pick attack and flat response.
For metal, I keep my EMGs in 18 volts as a certain base line stock sound. I wouldn't give them away. Every new player should at least try them (along with a DMZ Super Distortion and JB) just to experiment with a classic pickup. But I've added on other tools.
I can't imagine a pup with less output than an HZ3 actually--just very even and flat sounding. And that includes my using a Gibson 57+ Alnico II in the bridge (which was fine for metal boosted and dialed in right).
I've always had a tough problem cleaning up overwound pups but not boosting underwound ones, so I usually start conservative on the hotness and go up as I need. Tone isn't as important these days as feel--tone isn't worth it if you're fighting the pups to hear your technique come through.
I agree with Rex that the 81 can be harsh, but in a different way than a Duncan Distortion. A lot of people find 81s to be choked off with a narrow frequency range compared to other pups--that's just part of that "all high mids" thing. But it sits well in a mix and cuts through if you're mixed well. Going to 18 volts rounded off some of the sharpness of the transients, which I didn't liked, but added on more body, which I did like.
I also agree on more lows and highs with passives. I was very surprised when I switched to passives about ten years ago and found myself with more lows and highs than EMGs. Where actives shine, I think, are in consistency of pick attack and flat response.
For metal, I keep my EMGs in 18 volts as a certain base line stock sound. I wouldn't give them away. Every new player should at least try them (along with a DMZ Super Distortion and JB) just to experiment with a classic pickup. But I've added on other tools.
