With SuperD in the bridge spot?
What is the deal with the Super 2? There aren't any clips on dimarzios website for it, number of artists endorsing it on the product page is two or three. And importantly, i dont think i found a worthwhile video of it on youtube either. For a pickup released in 70s or 80s, you'd figure there might be more clips around for it.
I read some forum posts on it, but no samples leaves me confused.
My understanding is that if its a neck version of the SuperD, their combo as a set for split/parallel/series options might yield a bigger pallete of tonal options.
So apart from that I could consider a PAF in the neck with the SuperD, actually done that in a PRS Se Cu22/24, using a sh1n and superD, it worked very well. But in a LP copy I dont wanna go with a 59n, the SuperD sounds fatter than ever in it, so I'm afraid the 59 maybe too much. I'm open to any other duncan option in there.
The PAF 36ths I could try but I was wondering about the Paf Pro, both aren't exactly vintage sounding to me. The PP I've been wanting to collect, now that I have a space for it I could get it for neck spot. But I feel the Super2 might just compliment the Super D better, although it might compliment it so well that it turns out there is not much EQ tonal variation from neck to bridge with gain characteristics being same/similar.
I so dislike having to shop neck pickup options lol :ugh1:
What is the deal with the Super 2? There aren't any clips on dimarzios website for it, number of artists endorsing it on the product page is two or three. And importantly, i dont think i found a worthwhile video of it on youtube either. For a pickup released in 70s or 80s, you'd figure there might be more clips around for it.
I read some forum posts on it, but no samples leaves me confused.
My understanding is that if its a neck version of the SuperD, their combo as a set for split/parallel/series options might yield a bigger pallete of tonal options.
So apart from that I could consider a PAF in the neck with the SuperD, actually done that in a PRS Se Cu22/24, using a sh1n and superD, it worked very well. But in a LP copy I dont wanna go with a 59n, the SuperD sounds fatter than ever in it, so I'm afraid the 59 maybe too much. I'm open to any other duncan option in there.
The PAF 36ths I could try but I was wondering about the Paf Pro, both aren't exactly vintage sounding to me. The PP I've been wanting to collect, now that I have a space for it I could get it for neck spot. But I feel the Super2 might just compliment the Super D better, although it might compliment it so well that it turns out there is not much EQ tonal variation from neck to bridge with gain characteristics being same/similar.
I so dislike having to shop neck pickup options lol :ugh1: