Bludave
New member
Some of you may know but Mike (XSSIVE) is a good friend of mine and last week he made a Monroe Drive for me and asked me to review it here for him. I actually got it on Monday and have been playing with it since I got it.
To Explain it simply it is a tubescreamer on steroids. As you know a normal TS9 has a drive, level and tone knob. The Monroe drive has the same adjustments, but it has 2 mini toggles on either side that offer a very large amount of tonal variations when flipped in any direction. The mini toggle on the left when up offers pretty much the same voice as a stock TS9 or 808, but when you drop it to the down position this increases the bass and takes out some of the mids. Its a great setting for more modern metal type of tones. The toggle on the right when in the down position is very similar to an original 808 sound. In the middle position it is less gainy but still has some decent drive, and in the up position it is very Marshall 800 sounding.
I used a 1968 Super Reverb, A 1987 57 RI Strat equipped with Texas Hots, and a 1990 Les Paul Standard which has the stock pickups in it.
The Super Reverb was set to give a real good clean tone with very mild breakup when you hit the strings hard.
I had three OD pedals all side by side to compare. The Monroe Drive, a TS9RI and a Boss Super OD.
I turned each one on and adjusted to get a decent sound out of each pedal. Then I started playing the Les Paul and playing the same combination of chords and solo notes as I turned one on and then the other. This gave me a real feel to how each pedal was responding to the way I attacked the strings and the way the guitar was pushing the amp. In a very short amount of time it was pretty evident that the TS9 RI was not going to compete with the Monroe drive. The TS9 just sounded thin and lacking by comparison. Now I like a TS9 and I have used one now for close to 10 years, but the Monro Drive just flat out cleaned its clock! I am also not a knob twisting kind of player. I like to dial in a sound and then work with it. But in every position I flipped the toggles on the Monroe Drive it did things tonally that the TS9 was not going to be able to do. I spent some time twisting the knobs on the TS9 trying to get it closer to the MD, but it was pointless. The MD was just kickin its but in every way. I then started making comparisons to the Boss Super Overdrive. The Boss SOD is another very underrated pedal. For $40 they sound amazingly good.......... or so I thought. Same situation. I kicked on the SOD and played for a while and it sounded really nice, then I turned it off and I turned on the MD and the sound was just so much more articulate than the SOD. It had more bottom, each note was clear and retained a lot of its harmonic overtones as well. The SOD just began to sound pretty thin by comparison. I flipped switches on both pedals and adjusted the knobs to give me the closest to each other I could get, but same thing the Monroe Drive was just more articulate and more natural sounding.
Then I moved to the Strat. I had to make a few adjustment due to the lower output of the Texas Hots as compared to the HB in the Les Paul, and again I played a very simple combination of chords and solo notes to get a feel for the tone of just the guitar and the amp. Then I started with the same process of turning one peal on and then the other. The TS9 sounded better with the Start than with the Les Paul, and so did the SOD, but again the Monroe drive kicked its butt. It was more ballsy and had more note definition at the same time. I was able to pull some really sweet harmonics out of this guitar with the monroe drive without trying very hard. The Neck position, which is one of my favorites on a Strat just sounded so right it was scary. Just like a Strat into a Cranked Marshall..... Very nice and warm. If I rolled the volume knob back just a little (to 7) it cleaned up really well. What a great pedal.
A couple of days ago I got to plug this into two very different amps also. A Komet 60 and a Bogner Shiva. With the Komet this pedal was just insane. I used different guitars, but same kind of thing. I adjusted the amp to give me a nice clean tone and then used the Monroe drive to push it and it was great! Same situation in the Bogner.
After a few days of playing with it I feel it does tend to have more balls with a HB equipped guitar, but even with a Strat it sounds really quite natural.
Bottom line is this is one smokin' overdrive thats foer sure......... Thanks Mike........
To Explain it simply it is a tubescreamer on steroids. As you know a normal TS9 has a drive, level and tone knob. The Monroe drive has the same adjustments, but it has 2 mini toggles on either side that offer a very large amount of tonal variations when flipped in any direction. The mini toggle on the left when up offers pretty much the same voice as a stock TS9 or 808, but when you drop it to the down position this increases the bass and takes out some of the mids. Its a great setting for more modern metal type of tones. The toggle on the right when in the down position is very similar to an original 808 sound. In the middle position it is less gainy but still has some decent drive, and in the up position it is very Marshall 800 sounding.
I used a 1968 Super Reverb, A 1987 57 RI Strat equipped with Texas Hots, and a 1990 Les Paul Standard which has the stock pickups in it.
The Super Reverb was set to give a real good clean tone with very mild breakup when you hit the strings hard.
I had three OD pedals all side by side to compare. The Monroe Drive, a TS9RI and a Boss Super OD.
I turned each one on and adjusted to get a decent sound out of each pedal. Then I started playing the Les Paul and playing the same combination of chords and solo notes as I turned one on and then the other. This gave me a real feel to how each pedal was responding to the way I attacked the strings and the way the guitar was pushing the amp. In a very short amount of time it was pretty evident that the TS9 RI was not going to compete with the Monroe drive. The TS9 just sounded thin and lacking by comparison. Now I like a TS9 and I have used one now for close to 10 years, but the Monro Drive just flat out cleaned its clock! I am also not a knob twisting kind of player. I like to dial in a sound and then work with it. But in every position I flipped the toggles on the Monroe Drive it did things tonally that the TS9 was not going to be able to do. I spent some time twisting the knobs on the TS9 trying to get it closer to the MD, but it was pointless. The MD was just kickin its but in every way. I then started making comparisons to the Boss Super Overdrive. The Boss SOD is another very underrated pedal. For $40 they sound amazingly good.......... or so I thought. Same situation. I kicked on the SOD and played for a while and it sounded really nice, then I turned it off and I turned on the MD and the sound was just so much more articulate than the SOD. It had more bottom, each note was clear and retained a lot of its harmonic overtones as well. The SOD just began to sound pretty thin by comparison. I flipped switches on both pedals and adjusted the knobs to give me the closest to each other I could get, but same thing the Monroe Drive was just more articulate and more natural sounding.
Then I moved to the Strat. I had to make a few adjustment due to the lower output of the Texas Hots as compared to the HB in the Les Paul, and again I played a very simple combination of chords and solo notes to get a feel for the tone of just the guitar and the amp. Then I started with the same process of turning one peal on and then the other. The TS9 sounded better with the Start than with the Les Paul, and so did the SOD, but again the Monroe drive kicked its butt. It was more ballsy and had more note definition at the same time. I was able to pull some really sweet harmonics out of this guitar with the monroe drive without trying very hard. The Neck position, which is one of my favorites on a Strat just sounded so right it was scary. Just like a Strat into a Cranked Marshall..... Very nice and warm. If I rolled the volume knob back just a little (to 7) it cleaned up really well. What a great pedal.
A couple of days ago I got to plug this into two very different amps also. A Komet 60 and a Bogner Shiva. With the Komet this pedal was just insane. I used different guitars, but same kind of thing. I adjusted the amp to give me a nice clean tone and then used the Monroe drive to push it and it was great! Same situation in the Bogner.
After a few days of playing with it I feel it does tend to have more balls with a HB equipped guitar, but even with a Strat it sounds really quite natural.
Bottom line is this is one smokin' overdrive thats foer sure......... Thanks Mike........