J Moose
New member
Re: Thinking about going down to one guitar. What would you do?
That's all BS though.
Jimi must've thought that any & every strat was as good as any other strat to some degree...
Why else would he smash 'em to bits and set 'em on fire?!
Collections are only good if all the guitars are different... if I had 20 strats or 20 les pauls... 20 jacksons... 20 guitars that were basically the same thing...
That's not really a "working" collection.
IMO that's nothing but wall art.
Divide them into different things... different tunings... pickups... bridge systems & overall construction... and THAT'S a TRUE collection.
Son, Hendrix was constantly buying guitars (most from Manny's in New York). He had many Strats (rosewood and maple), along with several V's, a couple SG Customs, a LP Custom, a 335, a Gretsch, etc. He played these guitars live & in the studio. While he played Strats the most often, he had no loyalty to them.
BB has gone thru many guitars himself, from an ES-5, Tele, 335, 345, 355, and many Lucilles. He settled on the 335 design, but he's gone thru dozens of them.
Don't use these guys as examples of "connecting with one guitar." Blows your whole theory. Makes the flowery, romantic vision of 'one man-one guitar' look like the BS it is. You can have one guitar for years & still sound like crap. Odds are if you have a collection, you know more about them, and can do more with them. It's a big world out there, why impose artificial limits?
That's all BS though.
Jimi must've thought that any & every strat was as good as any other strat to some degree...
Why else would he smash 'em to bits and set 'em on fire?!
Collections are only good if all the guitars are different... if I had 20 strats or 20 les pauls... 20 jacksons... 20 guitars that were basically the same thing...
That's not really a "working" collection.
IMO that's nothing but wall art.
Divide them into different things... different tunings... pickups... bridge systems & overall construction... and THAT'S a TRUE collection.