"Better" is a purely subjective term that is way to dependent upon individuals' tastes and priorities to have a definitive answer. The 8.62% of folks aren't necessarily wrong, they just see things differently.
:bsflag:Having spare tubes on gigs adds to the cost of doing business, and can be impractical for working-class musicians who can't afford Cesar Rojas
IMO, that someday is farther away than you think.However, if history is evidence, there will someday be an amp which gives us the best of both worlds. I'll say it again: design, design, design. That's what separates the Camambert from the Cheez-Wiz.
ginormous said:Simon, that's it in a nutshell. My thread is neither endorsement nor disparagement of one or the other.
ginormous said:...no one is willing to give up the tube sound.
ginormous said:But let's face it: good quality tube amps (note emphasis) =$$$$ (or Euros, etc.). Having spare tubes on gigs adds to the cost of doing business, and can be impractical for working-class musicians who can't afford Cesar Rojas. Also, there have been tube amps I wouldn't give a penny for, including some of the well-known brands.
ginormous said:However, if history is evidence, there will someday be an amp which gives us the best of both worlds. I'll say it again: design, design, design. That's what separates the Camambert from the Cheez-Wiz.
OK, those are this week's prices. Do you concede that tube prices go up with rarity/demand, depending on which models use whatever preamp and power tubes?
ginormous said:Also, with every major tech advance there are always the grumpy Luddite grandpa types who prefer things the way they were. It may take 5 years, maybe 10... but it's coming -- bet on it. The Apollo moon launches were done with three 64K computers, 1 online and 2 backups. Now, you've got more processing power than that in the hand controller on a Nintendo Wii.
Also, with every major tech advance there are always the grumpy Luddite grandpa types who prefer things the way they were. It may take 5 years, maybe 10... but it's coming -- bet on it.
But when I do my main work as a professional guitarist, I play through tube amplifiers, not because I'm daunted by solid state and digital modeling amplifiers, but because tonally, they suck balls in comparison to my tube amps. It's that simple.
Cheers.......................wahwah
As with anything, you can always spend more money. What's your point?OK, those are this week's prices. Do you concede that tube prices go up with rarity/demand, depending on which models use whatever preamp and power tubes?
Working class musician? Are you trying to draw lines in the sand? The way I see it if somebody can't afford a $99 Epi Valve Junior then maybe they should stick to accoustic gigs.
I'm all for it if it is made of good parts, is reliable, and SOUNDS good. Right now as it stands most people have SS components in their signal chain, so you won't see too many guys making broad statements like "all SS is bad". Otherwise they'd have to throw away their Tubescreamers, Flangers, Phasers, etc, etc, etc.
You know New Sensor is making tubes right? You don't HAVE to buy NOS tubes. In fact for many applications it is recommended you not by NOS tubes.
Since I started buying tubes the prices for current production have been constant.
Preferring something because it sounds better doesn't make for a Luddite grandpa type. That's a pretty broad paint brush you're using there, bud.
You can buy them all day off online stores such as MF for 99 dollars.Not to get political, but the lines were drawn long before you and I came along, Luke. Besides, not every music store sells Valve Jr's, and not every one is willing to part with them for list. Price gouging for popular items is an old retail tradition.
I can agree with thisThere have been quite a few in this thread who make that very claim -- "all SS is bad, sounds crappy, not enough gain to get above the band," etc. But ironic how so many rely on stompboxes before going into the tube amps, isn't it?
What does being obsolete have to do with QC?NOS tubes are evaporating. The current Asian-, Russian-, and Eastern European-made tubes are mostly manufactured using old production equipment, ironically enough purchased from the American factories as they shut down. We're not talking about artisans and craftsmen, carving old-growth wood into a work of art. How well do you think they'll be able to maintain quality control of the tubes, if the methods & machines used to make them are becoming more obsolete by the day?
Though I know the first part is true I'm not sure where you are going with it. I'm simply saying that new production prices are constant and not ever increasing like NOS tubes.Paradigm: when I started buying tubes, they were available at places like Radio Shack, and were cheap as potato chips. I had backups to spare. When my last tube rig quit on me, I had to decide between replacing the preamp and power tubes or paying the rent. Hmmm... tone or homelessness? Decisions, decisions...
The sound is one (important) thing; simply dismissing a current level of technology because "they don't make 'em like they used to" is another. There are plenty of big, high-wattage tube brushes on this thread, too. My suggestion, nothing more, is that we may have to prepare for --
the last tube.mg::17::scared::11::yell:
There will come a time when there are no more tubes being manufactured, and the remaining stock & NOS will be aggressively hoarded by those few unwilling to part with them for less than a king's ramsom. We need to understand that this time is coming, and will not be denied.
If we acknowledge this, then we can prepare for it, and someone can design and build an actual, real, good-sounding SS amp of reasonable cost, durability and quality. Henry Ford did it with the car, maybe Seymour (or another trusted name, or a maverick rebel with the undeniable spirit of an inventor) can do it with the amp.
There have been quite a few in this thread who make that very claim -- "all SS is bad, sounds crappy, not enough gain to get above the band," etc. But ironic how so many rely on stompboxes before going into the tube amps, isn't it?
The only post-tube technologies I don't have a problem with are the germanium transistors and IC's in top quality pedals, and the reasoning for this is quite sound. The tones that made me want to play guitar in the first place and still inspire me also had some of those technologies in the chain, with most of my favorite players and tones incorporating a germanium treble booster, fuzz or IC overdrive between guitar and vintage tube amp.
NOS tubes are evaporating. The current Asian-, Russian-, and Eastern European-made tubes are mostly manufactured using old production equipment, ironically enough purchased from the American factories as they shut down. We're not talking about artisans and craftsmen, carving old-growth wood into a work of art. How well do you think they'll be able to maintain quality control of the tubes, if the methods & machines used to make them are becoming more obsolete by the day?
The sound is one (important) thing; simply dismissing a current level of technology because "they don't make 'em like they used to" is another. There are plenty of big, high-wattage tube brushes on this thread, too. My suggestion, nothing more, is that we may have to prepare for --
the last tube.mg::17::scared::11::yell:
There will come a time when there are no more tubes being manufactured, and the remaining stock & NOS is being aggressively hoarded by those few unwilling to part with them for less than a king's ramsom. We need to understand that this time is coming, and will not be denied. If we acknowledge this, then we can prepare for it, and design and build an actual, real, good-sounding SS amp.
Major tech advances. The germanium transistor. The silicon transistor. The FET. MosFET. The IC chip. A/D - D/A conversion. Digital modeling. There's 40 years of major tech advances.
"Grumpy Luddite grandpa types?" What about discerning professional touring and recording musicians, who have the option to use whatever the market provides?...Your narrow view seems to suggest that there is some sort of technophobia involved... In my and many other's cases, this couldn't be any further from the truth... I have embraced those technologies.
But when I do my main work as a professional guitarist, I play through tube amplifiers, not because I'm daunted by solid state and digital modeling amplifiers, but because tonally, they suck balls in comparison to my tube amps. It's that simple.
I reiterate that design is crucial in determining how well an amp will sound, no matter what it's made of.