Re: Well....it looks like that set of Seths I wanted is going to have to wait while..
Just scooped one in a trade with a guy....lemme know what your thoughts are when you get yours :bigok:
The pedal arrived today.....I'll just post the initial review I've done of it;
For those that don't know, the Sunlion is a combination Beano Boost ('60s Dallas Rangemaster clone) and Sunface ('68 Dallas Arbiter Fuzz Face clone). I'm using an old Les Paul loaded with a Duncan 59 bridge in the neck and a DiMarzio Super Distortion in the bridge. The amp is an Orange AD30 2x12 combo running into an Orange 4x12 cab (for a 3/4 stack). I set the amp gain at 6, the master volume at 10, and adjust the EQ to suit the pickups. My main fat rhythm tone is with the guitar's volume between 3 and 6 and my main crunch rhythm tone is with the volume between 6 and 8. Above 8 is generally reserved for leads or old school (not tight) distorted riffing. For the most part I've dialed in the pedal to sound best with my bridge volume at 6 and my neck volume at 5.
So far it's really good. I don't know how it will react with other amps but after about two hours of experimenting with different settings I feel I can get some really good tones out of mine. Both effects blend really well with my Orange....they're obviously not transparent but they do manage to feel like they've become apart of the amp's voice rather than feeling like a separate gain device sitting in front of it.
Although I dialed in some more extreme stuff right off the bat I'm now running really conservative settings on both. I'm trying to dial these in so that they remain as much apart of the amp as possible while still giving me the effect I'm after.
I'm basically dialed in for three things now;
Fat Riffing and 'on the verge of OD' soloing - Strait Orange
Crunch riffing and open leads - Beano Boost
High gain riffing and compressed leads - Sunface
As a side note; I've added one of those rubber Dunlop knob things to the knob on the Beano Boost part of the pedal.....I've found it to be pretty useful to be able to tweek the gain on the fly the same way I would tweek the volume on the guitar.
Anyway....about the pedal;
The Beano (treble boost) side has taken my amp from the ultra thick 70s overdrive I set it for and turned it into the type of amp you hear on so many old recordings. I thought my amp sounded 'vintage' before, but now I'm getting that 'vintage' tone I hear on so many albums. Some small changes in the guitar's volume and Beano's output (they interact well together) can take you from an edgy blues sound right through blues rock and up to Black Sabbath. Very cool.
The Sunface (Fuzz Face) side manages to make my amp sound more like a high gain amp that an amp with a fuzz in front of it. Using my guitar's volume I can still make it sound fuzzy, but I don't have to if I don't want to. Best of all it gives me this great high gain sound without the midrange honk, bottom end loss or excessive attack noise that overdrive pedals give me. Seriously cool.
Lastly, you can use the Sunface to overdrive the transistor in the Beano for some cool germanium tri-fuzz tones. We're talking mild Big Muff territory....only you can still palm mute to some extent.
The only complaint I have about the pedal is that the Sunface sounds a little dark when playing on the higher strings and the neck pickup....but hey, if those notes were bright enough other things might sound way too bright....so it's only a small complaint and not one I'm going to dwell on.
Yeah, I'm probably in the honeymoon phase with this pedal and my opinions will change at a later date, yet for me it's really rare for me to be this happy with a new piece of kit unless it's going to work well for me. I suspect this will be one of the few effects I grow happier with over time.