Yeah, you really should

. It's not a big store, but they have a LOT in stock. You'll be amazed by the amount of Custom Shop Fenders and Gibsons they managed to cram in that fairly little space. And then there's all the Blades, MXG's, PRS and whatnot. But also very affordable stuff. Ampwise, the range includes a lot of Budda (Max Guitars is the Benelux distributor for Budda), lots and lots of Koch, some Orange and H&K and a bit of Mesa, and so on. They also stock a large load of FX-pedals in ALL price ranges. It's really worthwhile to check that store out. Plus, the owner, Robbert, is a very nice and friendly guy.
It's a very nice amp, and affordable for what it has to offer. It's a three-channel amp, ranging from pristine clean to over the top distortion (I usually keep the gain of the third channel below 6). The clean is Fenderish, especially if you play a little with the EQ. I now have the EQ setup with bass at 7, mids at 5 and treble at 3 and have now come very close to the Fender Twin sound. Although the treble is set low, it's still reasonably bright, like a Fender. The treble level is largely influenced by the mid setting. There's an added Bright-switch, but I rarely touch it.
The crunch channel has a range from an edgy clean tone (with far less highs than the clean channel) to a full driven Angus Young like Marshall tone. I mainly use this amp with a Strat, and it loses some of its sparkle on this channel, but at higher volumes the tone opens up a lot. This channel is actually the one that convinced me the most to get this amp.
The lead channel has crushing amounts of gain available. At low volume levels it sounds fairly dark, but when you turn up the volume this channel really opens up, the low end tightens and the treble cuts more.
The controls are basic. There's just volume, a 3-band EQ and a bright switch for the clean channel. The drive and lead channel share a 3-band EQ, but both have their own volume and gain controls. There's a separate reverb level control for clean. Crunch and lead share a reverb level control.
A very cool feature is the Edge-switch. When you push it, the amps tone gains a lot of presence, and opens up with more harmonics and transparency. Once you've turned it on, you'll never turn it off again, just like Brunetti say on their site and in the manual.
There's also three inputs in the rear for remote switching of the channels through relais of MIDI-equipment. There's one remark here: reverb and edge cannot be remotely switched. They can only be switched on and off with the amp's footswitch. That's quite a pity: if I'd buy a G-major, I would not be able to enjoy the full switching capabilities of the amp when using the FX-unit as channel switcher. I believe the G-major only has 2 relais, so that's too limited anyway. So I'd still need the amp's footswitch...
I don't have any clips of my own, as I don't have the proper recording equipment at home.