vinterland
New member
Re: What are some better mics than the typical sm57 and 58?
Whats wrong with using a 57?
Whats wrong with using a 57?
Yeah that's the general consensus I'm getting from everywhere, even the mic shop where they could try to sell me something more expensive than a 57 still told me to just get a 57 because everyone should be able to get a good sound using one.
what about flying?:laugh2:Don't try and reinvent the wheel is always good advice. 57's are just tried and true.
If you want something a little different, e609's and i5's (Sennheiser/Audix respectively) are really solid dynamics mic's designed with guitar amps in mind - my favorite recorded tone so far has been an e609 and 57, with the 57 on and the 609 off axis.
Jeff,
I find the e609 appealing because I can hang it on top of my amp and just leave it.
In a nutshell, how does it compare to the SM57?
thanks
Marin
I'd say start with an Audio Technica AT-2020. An incredibly versatile and well-built large diaphragm condenser mic for around 100 bucks. It's good on almost any instrument you can put in front of it ... not great, mind you, but better than most mics worth five times as much.
Thats not a large diaghram mic.
I've heard the beta versions of the shure mics are fantastic and I have a professional friend who swears by them. I'm going to get a couple of the shure beta57's instead of the sm57's I was almost decided on. Apparently they're great!
Are you joking? If you aren't I would love to hear your logic here.
Whatever you think... but it's definately not a small diaphragm so that would make it a????? large! AT calls it a large. I've never heard anyone refer to it as otherwise. I'd look at someone with a puzzled face if they referred to something as a medium diaphragm.
Neither the product page of their website nor the spec sheet I linked to call it a large diaphragm. No one experienced would consider a mic with a 5/8 in diaphragm to be an LDC. I would suggest you do a little homework before you start talking to much about such things.