I say get a Boss DS-1 and a Monte Allums Rectifier Mod Kit, and see if that doesn't meet your needs.
I run mine on my Fender's clean channel, and it scarily tight and modern. Really turns it into an amp of a different nature.
That's a $60 solution. If it doesn't pan out for you, you can sell me the MA DS-1 as a backup, so you're risk free.
Seriously --- I approach problem solving this way - if it's a personal matter, i.e. not a work thing, I work in order from cheapest solution that might work to most expensive.
The risk you accept in this case, even if and as you progress in the chain, is always the lowest possible risk.
I like the option of using two amps. I do that... but in all fairness to you I have rarely gigged with two amps. It would be a huge PITA the move all that gear. .
stillettos are awesome. There is many kinds of awesome in the amp world, and no amp can do all things for all people.
Heavier Schmevier. The world is full of dudes trying to sound heavy with their beards and tattoos hiding behing walls of gain using wimpy little strings, drop tuning and flappy picks, playing power chords and chuggidy chuggidy one note riffs .
Enjoy what you have and play the hell out of it. Heavy is overrated.
But like gibson175 mentioned, you may find you don't need as much extra heavniess as you think. I've gone through this with my setup work this year and, aside from at least having a metal muff to get to full metal land (and even that with gain just on 9:00), I'm feeling I have more than enough meatiness where I'm at now.
So, unless you're a serious hard code metal guy, in which case maybe shoud get a dedicated high gain amp, the one right metal pedal may be all you need.
I almost got the wampler, and it's flexibility looks aweseome, but watch as many demos as you can because I found in everyone that it put the output in the background...hard to describe...lol...llike it was less immediate. I didn't get that with the metal muff, but it has less flexibility (useful flexibility). I would bet a high gain amp geared toward metal would make the wampler issue even more obvious, and make both appear as what they are, pedals. Just my opinion. I'm fidning I'm not a hard core metal guy, so I can live with pedals.
I'm just blown away that you can't get a good metal tone out of a Stiletto.
I can get a good metal tone out of almost anything with a Rat.
Or you could just buy a used 5150.
and I can't go tweaking amp knobs in the middle of a gig.
And to be clear, I'm not trying to be a braided-goatee-pierced eyebrow metal player. There are just times when I feel like the material my band is writing would benefit from that kind of tone. The Stiletto is awesome, but it doesn't do the tight, heavy riffing justice.
The Stiletto is a Great amp but if I were you I'd be inclined to look for a new amp. Gigging with two would be a pain. Sure you could A/B them into the same cab. So it isn't like you would double the amount of stage real estate you take up. But that's a lot of $$ to have in gear.
The simplest solution would be 2 tube heads ran through the same cab with a Radial Tonebone Headbone VT. Keep in mind that there are 3 different models though so be sure you buy the proper one for your specific need (VT: 2 TUBE HEADS, TS: 1 TUBE HEAD & 1 SS Head, & SS: 2 SS Heads). Having said that, you wouldn't be able to run both heads at the same time with the VT however.... It just enables you to toggle between two heads with the use of one cab.....
The Stiletto is a Great amp but if I were you I'd be inclined to look for a new amp. Gigging with two would be a pain. Sure you could A/B them into the same cab. So it isn't like you would double the amount of stage real estate you take up. But that's a lot of $$ to have in gear.
If I went with a second amp I'd shoot for something quite different from your current arrangement. No sense in spending that much to duplicate what your current rig can do.
why not? robin trower did it... mike sullivan did it... hell mike played with almost every pedal before every song....
i think a good eq in the loop is the best way to go
Exactly what I do and proposed, just with a different brand speaker splitter. I had read of latency issues (or something like that) with the tonebone, which is why I chose the weber. No noise or delay issues at all with my setup, clenaer than a pedal switching on and off. And the signal transfers between amps, such as delays, etc.
Still need an a/b splitter for the guitar signal. I use a leihe.
An AB Box won't work unless you have two complete rigs (whether it be a head and cab + a combo amp OR two heads with a cab each). As I posted previously you'd need a Radial Tone Bone VT to toggle between two tube heads with the use of a single cab.