Re: Why I prefer Strats to Les Pauls
the_Chris said:
I'm much more of a Les Paul guy.......I love thick, warm tones and I love sustain. That's why I play Gibsons. I want to take my medium high gain amp, turn it up and rock. With Strats, you don't get enough attack, it doesn't bring out the same amount of gain and you're fighting for that sustain. The notes are too thin, so you can throw fat lead tones out of the picture (unless you stack pedals into the mix). You can put a humbucker in a strat to thicken it up, but let's be real here, it's still not a Les Paul.
:bigthumb: Man, you and I are on the same page. I love a Strat..as a diversion, but where others see/hear "clean" or "pristine", I hear "anemic" and frankly lack of balls/power. Oh sure a FEW (VERY FEW) guys could get HUGE sounds out of a single coil equipped strat...SRV for example (with bridge cables for strings and the action a half mile off the board), but the vast majority all sound pretty small and thin to me...Hendrix, Clapton, even guys who's strat tones I really like: Yngwie, Uli, and Ritchie....great sounds but hardly "big". Luckily all those Strat guys can phrase and hit ya hard with the notes as opposed to the tone. And yup, alot of strat guys as you mentioned run tons of peds and various amps to get "big" or "fat" sound. Not my thing...
I happen to prefer the shorter scale of Gibsons, it's simply more comfortable to me. I can't stand half of Fender's necks...... When they do finally get good necks like the U-shaped stuff, it's not on many guitars.
Another +1. I hate fighting a guitar. Having some tension is good, but I have little reach and fairly small hands...25.5" scale is a PITA for me. PRS scale is about as much as I can deal with. When I'm "on" with a a Strat it's a great feeling, but when I'm "off"..ughhh, talk about frustrating. And yup, most strat necks until you get into the high dollar "reissue"/custom shop stuff are way too small for me, the radius is a big short circuit, and just the fact that there's no neck ANGLE like on a Gibson style instrument drives me nuts.
With strats, you get some different tones, but let's face it, most musicians only use 1 or 2 and the other 3 are usually wasted.......
Also true IME. Perhaps it's just the music I play, but pretty much a Strat's so called "versatility" in tone is not applicable for me. I DO like the middle position unlike most, unfortunately the stupid thing is always in my way for picking so I roll it down and end up not using it. When I was younger I liked the notch/quack positions, but as I've grown older I really dislike that sound. Too much exposure to bad 80s and 90s pop music :laugh2:
I like having 3 positions on a Les Paul. You've got the bridge for overdriven work, the middle for clean rhythm or thicker leads and the neck for smooth clean work (jazz, fusion etc.).
I tend to use only the bridge and neck for high gain stuff, but only the bridge and middle for cleans. I especially like the bridge rolled off for cleans, and the middle position for nasty blues type tones (Since I've Been Loving you from TSRTS is a good example). The neck is pretty much always a higher gain lead type thing for me..though on occasion I liek it for bluesy type chord work or when I'm fiddling around playing more complex "jazzy" type chords (quite poorly I might add :bigthumb
Also the versatilty is there with a Les Paul or other 4 knob gibson, if you know how to work the volume knobs and tone controls in the middle postion. It's not as "easy" as just flipping a switch but there are alot of sounds to be had if you experiment.
Thats just me though...everyone is different obviously. I'm GASing for another strat, but it would be just a diversion...if I wanted to get "serious" the Strat would stay in the case, and I'd pull out the Gibson styled instrument every single time.
boycott mahogany! :laugh2: