Southbound Suarez
New member
Re: Would like aedvice- my 50 Watt Hiwatt ain'yt cutting the mustard
The SAP design must've come some time after the RAH performances because an extra gain stage in a Hiwatt should have more of a driven Mesa Boogie tone due to the extra 12AX7 gain stage. This is most certainly not the case when using the Catalinbread RAH pedal which more closely emulates (3) 12AX7's w/MV.
My Marshall is a 74' SL converted to 68' 12K Series specs with all the vintage NOS components and tubes.
Jimmy Page didn't use standard Hiwatts; his amps had the Special All Purpose "SAP" preamp which incorporated an extra 12AX7 gain stage and a few other changes. The resulting tone is still Hiwatt, but with a definite Marshall flavor. Page's Celestion speakers also helped to emphasize that.
Also is your Marshall 1959 original or a reissue? If it's original, what year was it made? Marshall changed the 1959 circuit several times over the course of the original production run, so an early example from 1967 isn't nearly as bright or gainy as one from '72 or '73.
The SAP design must've come some time after the RAH performances because an extra gain stage in a Hiwatt should have more of a driven Mesa Boogie tone due to the extra 12AX7 gain stage. This is most certainly not the case when using the Catalinbread RAH pedal which more closely emulates (3) 12AX7's w/MV.
My Marshall is a 74' SL converted to 68' 12K Series specs with all the vintage NOS components and tubes.
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