Good player no doubt but that tonal and output match between the middle and the split SNS then the transition to the full SNS blew me away. Like that set up a LOT!Lari is near untouchable though lol. She can make anything sound good.
Right now? :scratchchLOT of killer music coming out of Brazil right now!!
Have you noticed the placement of the neck p'up, orpheo?But that strat...
Have you noticed the placement of the neck p'up, orpheo?
I couldn't find any video with that strat on the neck p'up with a clean setting... and I couldn't be more curious about the tonal outcome of that choice.
/Peter
Right now? :scratchch
Brazil has consistently provided the world with excellence in music and artistry since early 1900s.
But's not your fault. Your neck of woods haven't been what it could be described as a "cultural oasis", I'm afraid.
/Peter
who made that strat, is my main question. Good tones, yeah, we know; Lari is great.
But that strat... I'm finding the headstock/fretboard transition (nut) very interesting.
Have you noticed the placement of the neck p'up, orpheo?
Right now? :scratchch
Brazil has consistently provided the world with excellence in music and artistry since early 1900s.
But's not your fault. Your neck of woods haven't been what it could be described as a "cultural oasis", I'm afraid.
/Peter
So who are you? Some nobody from tiny little craphole that you call a country?
It's a Suhr and yes that neck pickup is setting right at the octave.

Got it and see it now. She is a Suhr endorser and thought I had seen that one and a Suhr headstock in another video guess I didn't look hard enough. Looks like it's a Kiesel Dulos and I should have caught it because there is a lot of chatter in the Carvin / Kiesel community about how she was spending a lot of time in the Kiesel booth at winter NAMM. The neck pickup is right were the 24th fret would be or at the octave on the Dulos the SN on the end of the fretboard and that headstock is spot on so--.Absolutely NOT a Suhr, buddy. Like, not even close.
This is a Suhr:
![]()
See the neck pickup? Doesn't sit next to the fretboard; there's a bit of pickguard between the fretboard and the pickup. Also, there's a serial number stamped in the neck of Lari's guitar, not on a Suhr. And the spacing of the dots on the 12th fret aren't the same as on a Suhr.
View attachment 103072
And the headstock is not a Suhr headstock:
![]()
Ergo: Not a Suhr.
@Artietoo: the neck pickup is moved a few millimeters towards the nut.
Got it and see it now. She is a Suhr endorser and thought I had seen that one and a Suhr headstock in another video guess I didn't look hard enough. Looks like it's a Kiesel Dulos and I should have caught it because there is a lot of chatter in the Carvin / Kiesel community about how she was spending a lot of time in the Kiesel booth at winter NAMM. The neck pickup is right were the 24th fret would be or at the octave on the Dulos the SN on the end of the fretboard and that headstock is spot on so--.
It's one of these
https://www.kieselguitars.com/images/guitars-in-stock/large/140929b.jpg
nop not that one either. Look: the Kiesel has a ledge of pickguard between the fretboard and the pickup: Lari's does not. Also, Kiesel uses Hipshot trems, Lari's doesn't (likely a Gotoh), and Kiesel doesn't have the serial number stamped on the 22nd fret. PG is totally different. You can see that very clearly.
So... No kiesel.


