:wrf:
Read what answers Rick Turner (
https://forum.seymourduncan.com/showpost.php?p=2338461&postcount=6) in Lew's answer. Maybe I have a big issue with the language (perfectly possible). Some others came later, read in specially the first two pages.
ErikH, The point that you are highlighting was so clear to me that I didn't expect it :eyecrazy:. For sure, the caps just throw highs to ground but, they are affecting the signal path, since they are removing some frequencies and letting some others living in the signal.
What I said is just that I heard the sprague orange drops as sounding harsher on the high end then, someone said that he was 100% positive that no one can hear the differences because of the mentionated text. :deal:
So, my answer was that maybe, what each cap is able to filter isn't the same and maybe, they let different frequencies unfiltered in the signal path. If the sprage orange drops were unable to throw to ground some very high frequencies then, the remanent signal would sound harsher...
:sword:
Then, started all that no-sense discussion: i can hear it / you cannot hear it and the physical / engineering / scientific answers.
:scratchch
Now, we are back to the beginning...
I think, I am starting to feel ill.
:alcoholic
Then, to me, the different materials used with different physical propierties should affect the way as each cap works and, could be the reason why some caps "forget" to throw to ground some harshing frequencies.
I cannot hear differences between certain caps and hear differences between certain others. I said that I prefere ceramic to sprague and vitamin q to sprague orange drops and any of those way more to those greens that come often in importation guitars.
That's exactly what I am saying from the very beginning.
Maybe, even now, my limited english will not allow me to express myself in the right way. I appologize if don't succeed.
:dunno: