Could 250k tonepot with humbucker be why sound is so dark in HSS strat

Baribus

New member
Having finally got the JB humbucker working in my HSS performer strat it sounds just as muffled as the Shawbucker did. Id assumed it was the Shawbucker that was responsible for this dark sound. It was particularly bad for palm muted notes and harmonics, but the JB has the same problem. Even with tone control at 10 and every tone i try having treble turned up to 10 its still way too dark a sound. When i was installing it i noticed the tone cap for the humbucker was actually a 250k, as was the volume pot. Could this be why it sounds so dark compared to the JB junior in my previous strat? I had a luthier install that one so not sure whether he changed the pot to 500k or whether the JB junior is just more suited to 250k. Previous strat was an SSS this one is HSS yet the SSS with JB junior sounded much better than its big brother does. This sounds like a blanket has been thrown over the speakers just like the Shawbucker did.
 
Could this be why it sounds so dark compared to the JB junior in my previous strat?

1-SC sized humbuckers don't "comb filter" notes like full sized ones. Go there and enter "0.65" then "1.5" in the "width" box to see what I mean:

2-The sound of passive humbuckers is far to be defined only by the resistive load of pots. Among other factors, inductance of the pickup and capacitive load of wiring are to take in account, as well as the input impedance of the first "host" receiving the signal of the pickup. Which brings simple questions: what is your rig - amp, cab(s), cables and their length, pedals or not?
The page below explains a few basic things about passive pickups. Scroll down to fig. 14 to see what pot resistance does to the resonance of your pickup and to fig. 15 to see what the capacitance of your wiring + cable(s) does with not less effects on the tone.

3-If one wants to increase the resistive load, changing a 250k tone control in a no-load pot is a cheaper solution than changing pots, for the record. Recipe there:

4-I've no horses in the race (no JB nor Shawbucker in any of my guitars right now) but questions in my point 2 seem relevant if we consider that you perceive as "muffled" a pickup (the JB) used on famous tracks that I don't exacly hear in the same way:

Reason why my points 1, 2 and 3 are meant to help you to explain and to solve what you notice... FWIW.
 
250k is for singles and can muffle humbuckers, all other things being equal, compared to a 500k pot.

500k can cause singles to sound harsh. Just roll that down to 7 for ~250k

I like 300 to 350k for my fatter singles.

A tbx tone control can get you that default 250k for the singles, with the ability to roll up thru 500k to 1m. As well
 
Thanks for your replies.

uOpt

The capacitor is a 22 and there only seems to be one for all the pots. I dont have anything to test it with. Thought evem for an amateur it would be a relatively simple swap, naively. Then came the need for a new pickguard cause of the 2 vs 3 screw holes, the 6 tiny lugs on the push pull, the out of phase mixed pickups thing, the different wire colours and now after all that almost the same sound as the original pickup despite supposedly much higher output.

freefrog

Thats interesting, as is that page you linked to. So if i read it right full humbuckers are naturally slightly darker but manufacturers normally offset that somewhat by using 500k tone pots with them, which fender havent in this guitar. I dont think the pickup is the problem and have seen many youtube videos where it sounded great, plus this Shaw guy is constantly referred to as a guru which leads me to doubt hed make a bad pickup either. I had assumed it was just a bit too weak for hard rock and metal, with it being described as low output, but now that the high output one sounds quite similar it makes me wonder what other things could be contributing. I certainly havent ruled out me being an idiot and doing something wrong with the JB installation along with the shawbucker being a bit too weak for what im trying to play but it did strike me as strange that all the more expensive HSS strat ranges have 500k tone pots for the humbucker, so that made me wonder how much of a difference it could make that the performer one doesnt. With regards to the setup and cables im using amp modelling with audio interface, decent quality headphones and short cables of supposedly good standard, but its the exact setup i was using for the previous strat which had a JB junior in the bridge and sounded awesome. It even had enough bite for the palm muting on Aint Talkin About Love and nailed the Sad But True tone. Some stuff i would play with the tone all the way down to 4 or 5 but this one its on 10 for most things. Everything is the same equipment-wise except its just a different guitar and pickups. Im going to dig out my old strat that even a full refret couldnt save and test it on the frets that arent deadened to make sure theres no problem with the equipment or that i dont have some distorted nostalgic view of how good it sounded. Then i plan to take it apart and check the value of the pots the luthier used with the JB junior. Dont worry i wasnt suggesting all these pros had been using a rubbish pickup for years. I wish i could take a time machine back to the 80s or 90s as thats my music. Somethings not right in this setup and given i love the JB junior i highly doubt its the design of its big brother.

Juanhanglo

Thats what i thought and i do find it strange that this is the only HSS strat made in USA that doesnt have 500k tone pot. Out of curiosity is it normal for HSS guitars to have 500k volume pot as well or just the tonepot for the humbucker? Does the volume pot make much difference? I should never have tried to learn this stuff with my only functioning guitar.
 
Back
Top