sombersoul
New member
I've recently added an Epiphone Les Paul Tribute 60 to my collection. As always, I'm not enjoying the Gibson PUs ('57 Classics, in this case), so I want to give the guitar the Duncan treatment.
So far I've been an SG player (although I've played and had various LPs over the years). My current favourite SG (SG-400) has a DDb and PGn setup, which is about perfect. I used to own a Gibson SG Standard and tried several combos such as DD/'59n, C5/'59n and Alt8/'59n. In the end, I sold the guitar because I always had the impression it was a lemon soundwise and never really bonded with it.
Back to my new EP Les Paul Tribute. At the moment, I find it too nasal and muddy. I play through a Diezel Einstein and an Orange PPC 212 cab. Here's what I've been considering as far as PUs are concerned:
Bridge:
DD: A friend has a full DD setup in his EP Les Paul Standard. There's something about it which bothers me. Maybe it's too harsh or shrill.
C5: The number one recommendation for this kind of guitar. As mentioned above, I used to have a C5 in an SG Standard. I did not like it. It was too thin sounding, even brittle and somehow empty (or "scooped", if you will). The Les Paul is a different animal, but I hesitate to give the C5 another try, not having enjoyed it the first time.
Alt8: The good thing is I have one lying around unused. I wonder if it works well with the Les Paul, so I'd be happy about specific comments. I quite liked it in the SG Standard. It has lots of presence and bite without sounding harsh. The cleans are better compared to the DD. Maybe this is the PU I need to get some clarity into my Les Paul Tribute while retaining a fat, modern sound suited for high gain playing.
C8: I have no experience with this PU at all but all the positive posts on here make my mouth watery. How does it work in a Les Paul?
Custom: Also a classic recommendation for Les Paul guitars. Definitely worth considering.
Neck:
PGn: I very much enjoy the PGn I have in my SG-400. It sounds warm, full and sweet. It borders on boominess, though (at least in that guitar). I know it's a frequent recommendation for Les Paul necks but I'm a bit concerned. Otherwise, this would be my #1 choice.
'59: While I didn't like the C5 in the bridge of my SG Standard, I actually didn't mind the '59 in the neck. So maybe it's worth trying in the Les Paul.
Jazz: Recent posts I read mention that it can sound thin and a bit lifeless. If so, it's not the sound I'm after in the neck.
I usually play huge chords and palm mutes with high gain, so that's the number one criterion. However, I also use the bridge PU for cleans (usually with some delay added) and what I'm not enjoying is a lifeless, dull, metallic sound here.
The easiest way for me would be to try the Alt8 and get a neck PU. However, I'm not so much into experimentation, since I don't swap the PUs by myself (nor am I able or willing to swap magnets). I have professionals take care of the technical side of things, and I don't want to bring in my guitar every other week. So I'd like to make a choice I can live with for some time.
Any advice/suggestions would be very appreciated! Thanks!
So far I've been an SG player (although I've played and had various LPs over the years). My current favourite SG (SG-400) has a DDb and PGn setup, which is about perfect. I used to own a Gibson SG Standard and tried several combos such as DD/'59n, C5/'59n and Alt8/'59n. In the end, I sold the guitar because I always had the impression it was a lemon soundwise and never really bonded with it.
Back to my new EP Les Paul Tribute. At the moment, I find it too nasal and muddy. I play through a Diezel Einstein and an Orange PPC 212 cab. Here's what I've been considering as far as PUs are concerned:
Bridge:
DD: A friend has a full DD setup in his EP Les Paul Standard. There's something about it which bothers me. Maybe it's too harsh or shrill.
C5: The number one recommendation for this kind of guitar. As mentioned above, I used to have a C5 in an SG Standard. I did not like it. It was too thin sounding, even brittle and somehow empty (or "scooped", if you will). The Les Paul is a different animal, but I hesitate to give the C5 another try, not having enjoyed it the first time.
Alt8: The good thing is I have one lying around unused. I wonder if it works well with the Les Paul, so I'd be happy about specific comments. I quite liked it in the SG Standard. It has lots of presence and bite without sounding harsh. The cleans are better compared to the DD. Maybe this is the PU I need to get some clarity into my Les Paul Tribute while retaining a fat, modern sound suited for high gain playing.
C8: I have no experience with this PU at all but all the positive posts on here make my mouth watery. How does it work in a Les Paul?
Custom: Also a classic recommendation for Les Paul guitars. Definitely worth considering.
Neck:
PGn: I very much enjoy the PGn I have in my SG-400. It sounds warm, full and sweet. It borders on boominess, though (at least in that guitar). I know it's a frequent recommendation for Les Paul necks but I'm a bit concerned. Otherwise, this would be my #1 choice.
'59: While I didn't like the C5 in the bridge of my SG Standard, I actually didn't mind the '59 in the neck. So maybe it's worth trying in the Les Paul.
Jazz: Recent posts I read mention that it can sound thin and a bit lifeless. If so, it's not the sound I'm after in the neck.
I usually play huge chords and palm mutes with high gain, so that's the number one criterion. However, I also use the bridge PU for cleans (usually with some delay added) and what I'm not enjoying is a lifeless, dull, metallic sound here.
The easiest way for me would be to try the Alt8 and get a neck PU. However, I'm not so much into experimentation, since I don't swap the PUs by myself (nor am I able or willing to swap magnets). I have professionals take care of the technical side of things, and I don't want to bring in my guitar every other week. So I'd like to make a choice I can live with for some time.
Any advice/suggestions would be very appreciated! Thanks!