KeeperOS
Active member
Re: Gibson Last straw...
Don't get me wrong, I don't knock those guys who found THEIR one in a Gibson, just saying that it wasn't because it was a Gibson that it was their one, it could have just as easily have been a Tokai, Burny, Orville, Greko, Ibanez, Edwards, ESP, Yamaha, Hamer, Carvin, Warmoth, FREEKIN' Michael Kelly.
It doesn't matter, your one, that one GREAT guitar that for a certain reason stood out above all else could have been made by the hands of ANY skilled luthier REGARDLESS WHO HIS EMPLOYER IS.
I mean, is a Gibson built in the Kalamazoo plant better by definition to the ones Heritage builds today? Why? Wasn't it THE VERY SAME PEOPLE that build them both?
And, WHO ARE BUILDING TODAY'S GIBSONS ANYWAY...?
Again, I'm not knocking any individual guitar but there's such a thing as putting TOO much faith on a name on a headstock...
And to clearly answer the question that everyone already knows the answer but keeps beating around the bush:
Why do people STILL buy Gibsons?
BECAUSE THEY'RE RECOGNIZABLE.
The ones that don't know, well, just don't know any better and the ones that DO know know that while their Hamer or Carvin will only lose in value a Gibson will ADD in value, not because they're any better but because they're recognizable (plus, as long as prices keep going up and quality keeps going down its' a sure bet that a Gibson you bought today is gonna be BETTER than a more expensive one built tomorrow, how could it NOT gain in value?)
That's what happens when a music company is ran by lawyers instead of musicians...
Don't get me wrong, I don't knock those guys who found THEIR one in a Gibson, just saying that it wasn't because it was a Gibson that it was their one, it could have just as easily have been a Tokai, Burny, Orville, Greko, Ibanez, Edwards, ESP, Yamaha, Hamer, Carvin, Warmoth, FREEKIN' Michael Kelly.
It doesn't matter, your one, that one GREAT guitar that for a certain reason stood out above all else could have been made by the hands of ANY skilled luthier REGARDLESS WHO HIS EMPLOYER IS.
I mean, is a Gibson built in the Kalamazoo plant better by definition to the ones Heritage builds today? Why? Wasn't it THE VERY SAME PEOPLE that build them both?
And, WHO ARE BUILDING TODAY'S GIBSONS ANYWAY...?
Again, I'm not knocking any individual guitar but there's such a thing as putting TOO much faith on a name on a headstock...
And to clearly answer the question that everyone already knows the answer but keeps beating around the bush:
Why do people STILL buy Gibsons?
BECAUSE THEY'RE RECOGNIZABLE.
The ones that don't know, well, just don't know any better and the ones that DO know know that while their Hamer or Carvin will only lose in value a Gibson will ADD in value, not because they're any better but because they're recognizable (plus, as long as prices keep going up and quality keeps going down its' a sure bet that a Gibson you bought today is gonna be BETTER than a more expensive one built tomorrow, how could it NOT gain in value?)
That's what happens when a music company is ran by lawyers instead of musicians...
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