Re: I PREFER BUILDING PARTSCASTERS RATHER THAN BUYING REAL FENDERS...................
That being said then is it not foolish to think think that an individual could compete with Fender or Gibson etc...in obtaining the quality of materials that a large company can obtain with the enormous resources they have available?
So it may be satisfying to build your own guitar but one should not be deceived into thinking that they are building something as good as a real Fender.
I can't see why not. Do you think that Fender is the only company that can ID 'good' wood for a guitar. Or that every last scrap of 'awesome sounding wood' is bought by them......of course not!
I think you have a slightly misinformed idea of how these companies select wood - they don't! They have a contract with a supplier where they specify numbers of board feet and dimensions. The mills or the felling companies select what wood is sent. The first selection by Fender or Gibson is when it arrives in the factory. And even then the only selections are for weight (light goes to custom shop, the rest to factory floor), and for flame with maple tops. Both of them would be getting the most economical wood they could to keep the pricepoint well under control.
There is not one test in history
nor will there ever be that will tell you final tone, nor will tell you what bit will match another. Not what top will suit a back, nor what fretboard will match a neck blank.
And both Gibson and Fender just pick necks and bodies at random to make into final guitars. It is a pure lottery if they are suited or not.
My experience of 'luthier' grade wood from my last years of scratch builds is that you are WAY more likely to get consistent wood from LMII, Stewmac, Curlymaple, Northridge etc etc than I've seen on G or F guitars hanging on the wall. As all the clients of these luthier supply businesses are boutique builders, or people who will simply send subpar wood back, the standard is VERY high. And these are the woods you would be using if you built from scratch as I have done. Wood from Warmoth and similar also would come from more select sources - they would deal with a more local supplier and would be much more hands-on and strict in their QC.
So I can't see an issue matching or surpassing a custom shop instrument if you were a decent builder.
A example of luthier grade wood - a 2nd grade rosewood fretboard