Looking for a stack

Re: Looking for a stack

Here's a little trivia for you. How much louder is a 100W amp than a 50W amp?

Yeah I get it. They're both loud as sh*t, but 50 watts is more manageable for rehearsal and then I can go from 6 on 50W to 10 on 50W. Trust me, I'm not being power hungry in what I'm looking for, if it was too much I'd buy a 30W tube head or an Orange Tiny Terror.

But I can tell you, 100W tube on 10 is louder than 50W on 8. Forget the loudness aspect, trust me, it's not overkill. Move on from that argument, I took that wattage into account when browsing. I'm looking for opinions on tones and whether or not I should be looking at something else (which for the hell of it, I might try a Windsor).
 
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Re: Looking for a stack

Yeah I get it. They're both loud as sh*t, but 50 watts is more manageable for rehearsal and then I can go from 6 on 50W to 10 on 50W. Trust me, I'm not being power hungry in what I'm looking for, if it was too much I'd buy a 30W tube head or an Orange Tiny Terror.

But I can tell you, 100W tube on 10 is louder than 50W on 8. Forget the loudness aspect, trust me, it's not overkill. Move on from that argument, I took that wattage into account when browsing. I'm looking for opinions on tones and whether or not I should be looking at something else (which for the hell of it, I might try a Windsor).

While it may be manageable for rehearsal, I don't know a club in the world that's going to want a cranked 50/100w tube amp on stage.
 
Re: Looking for a stack

I'm just saying, don't exclude an amp because it doesn't have a hlaf power switch. My Mesa goes from under 50W to 120W depending on channel settings, but all it takes is adjusting the channel masters to even it out.

And I'm telling you, check out the JCM800s, they came in both 100W and 50W versions.
 
Re: Looking for a stack

While it may be manageable for rehearsal, I don't know a club in the world that's going to want a cranked 50/100w tube amp on stage.

HAHA! You've clearly never been to Js Place or Bottom's Up! before. Bottom's is a bar, not too large, and it gets loud in there, Js the upstairs is a hall and you can fit a good amount of people and they're PA is HUGE, so if there's a lot of power from the amp, they wont mic it but rather mic everything else.

I'm just saying, don't exclude an amp because it doesn't have a hlaf power switch. My Mesa goes from under 50W to 120W depending on channel settings, but all it takes is adjusting the channel masters to even it out.

And I'm telling you, check out the JCM800s, they came in both 100W and 50W versions.

I've thought about the JCM 800 as it can produce some KICK ASS tones, but I want something two channel footswitchable, that's why I was considering the 900. I'm also now thinking maybe JVM (more tones than you can shake a stick at!) A guy I know has it and it sounds awesome when he's onstage with his band. Also starting to think maybe Bassman head? If I had to pick one clean sound it'd be an American clean and if I had to pick one distorted tone it would be a British tone or a Bassman (tie).
 
Re: Looking for a stack

I'm just saying, don't exclude an amp because it doesn't have a hlaf power switch. My Mesa goes from under 50W to 120W depending on channel settings, but all it takes is adjusting the channel masters to even it out.

And I'm telling you, check out the JCM800s, they came in both 100W and 50W versions.

In all honesty, is there that MUCH of a volume drop between 50 and 120watts? I tried pulling a couple tubes on my 6505 and it only changed the tone of the amp without any difference in volume.
 
Re: Looking for a stack

People talking about amps being overkill need to realise that its really a non issue. Worst case scenario get an attenuator, but to be honest ive seen plenty of gigs in tiny rooms, 150 people max, with guitarists playing 50w or 100w amps. In fact almost every small band ive seen playin to three men and his dog are running at least 50watt amps, and most of them sound good enough for punk rock to me.

You can get two channel footswitchable jcm800's btw mate, in fact thats what i'm running to play punk and ska, its not ideal cause the clean channel isnt really all that clean, but i think the other channel makes up for it, even if its a bit love/hate for some people. (diode clipping) I second whats been said about trying them out really.
 
Re: Looking for a stack

Yeah enough is enough on the half-stack hatin. The dude said he wanted a half-stack and a bunch of you have been trying to talk him out of it...ha it's like when I walk into Guitar Center and tell them I want a pack of strings and the salesman starts pushing solid state practice amps on me.

Anyway dude, I strongly support your decision of getting a Bassman head. The 50-watt, A165 circuit model is the best bang-for-the-buck, you can find 'em on the Bay for like $400 most of the time. I use mine with a Crybaby, a Double Muff for really rediculous fuzz and my Spina-modded DS-1 NAILS the 90's punk tone...especially if I'm playing my Strat. Plus if you want channel switching you can get an A/B/Y pedal to put between the channels...that way you can choose between Normal and Bass channels, or hit Y and run both of 'em at once for more gain...

Gets you everything you want out of your amp...great tone, looks cool, is 'vintage,' and isn't totally played out like Marshalls or Mesas.

You could also check out Ampeg V4's. Really similar circuit to the A165 Bassman but people say they're way thicker in the mids. I've never played one but the dude from Queens of the Stone Age ONLY uses V4's and his tone rules so that's enough endorsement for me.

Uhhmm outside of that, I dunno. You could get a 5-watt Valve Jr. head for $100 and run it into a sweet 4x12 and have a half-stack like my friend's. His cab is an old Marshall 4x12 with vintage 30's in it and it really rocks with the valve jr....just hard to get a decent clean tone.

I dunno man. Lots of good amps to be had. Laney AOR's are cheap solutions for British tone...there's always Peavey...and lots of old silverface Fenders sound great but most aren't half stacks so y'know. whatev.

-X
 
Re: Looking for a stack

In all honesty, is there that MUCH of a volume drop between 50 and 120watts? I tried pulling a couple tubes on my 6505 and it only changed the tone of the amp without any difference in volume.
No, like I said earlier in the thread it really affects headroom and transient attack. 100W 6L6 is very crisp and "quick" to respond, 50W has just a little less. The volume is a little quieter, but nudging the dial a little either way makes up for it. (3db difference between 100 and 50, that's very little in pratice. You need to 10x's the power to double the volume)
 
Re: Looking for a stack

I'm trying to think of the best way of saying what I want to say without sounding like a jerk. I can't so, here goes...

Fender_Punk, I think you've got a bit of an idea of what you're looking for, but you have no idea of the practical applications of what you're looking for.

I'm all for playing half stacks- I've done it for well over 15 years, and I've never found anything that sounds as good for what I look for in the guitar sound. I've played and owned many, many different amps over the years.

If you're playing shows that are only using some sort of PA for vocals (maybe kick/snare) you're relying on your amp to provide sound to yourself, the band and the audience.

For any venue you play with PA support, your rig serves 2 purposes- to feed the PA a signal and for yourself and the band to hear your guitar. The audience should be hearing your guitar from the PA mains, not from your guitar cab. Playing a large bar/club and you're cranking your amp you're blowing out the first few rows, and no one else can hear you- most 4x12 cabs are pretty directional- the sound goes in the direction the cab is facing- unlike an open back cab that sound is more like "radiating" from. Rely on the PA. If you think you know better you're annoying the sound guy and the audience.

I can count on one hand (and have fingers left over) the times I've wished I had more than 50w and a 4x12. All of which were outdoor shows with only vocal PA and large crowds.

Yeah I get it. They're both loud as sh*t, but 50 watts is more manageable for rehearsal and then I can go from 6 on 50W to 10 on 50W. Trust me, I'm not being power hungry in what I'm looking for, if it was too much I'd buy a 30W tube head or an Orange Tiny Terror.

But I can tell you, 100W tube on 10 is louder than 50W on 8. Forget the loudness aspect, trust me, it's not overkill. Move on from that argument, I took that wattage into account when browsing. I'm looking for opinions on tones and whether or not I should be looking at something else (which for the hell of it, I might try a Windsor).
While it may be manageable for rehearsal, I don't know a club in the world that's going to want a cranked 50/100w tube amp on stage.
HAHA! You've clearly never been to Js Place or Bottom's Up! before. Bottom's is a bar, not too large, and it gets loud in there, Js the upstairs is a hall and you can fit a good amount of people and they're PA is HUGE, so if there's a lot of power from the amp, they wont mic it but rather mic everything else.
This exchange leads me to believe you have no idea of practical application of an amp and volume and stage volume and playing in a bar/club. I've played in a few bars, clubs, halls and outdoor stages around the country- there are NONE of them that want a 50w amp cranked through a 4x12 cab. I don't care that a 100w amp at 10 is louder than a 50 at 8. It doesn't matter, you're never going to be hitting those volumes at most any venue you play at. If you do, you're dumb. I'm not saying that to be insulting, there's just no call for it- and if you're stepping all over the mix or projecting too much that the PA has to pull you out, that's stupid. You're making yourself sound bad, you're making your band sound bad and you're looking like an inexperienced wannabe.

It's not about how loud you can go; it's about getting an amp that achieves a good tone at a usable volume and loud enough to be heard in an environment without a PA.

When I was a kid, I was convinced I NEEDED 100w to play rock and roll. I turned down some really kickass amps because they were "only" 50-60w. Do you have any idea how hard it was to find a 60w MV Orange head or a 50w MV Park head, even 15 years ago? I turned them down because they were "only" 50w. (I didn't even see another 50w Park head for another 10 years) My band had a "tone intervention" with me- my sound was too loud, too bright, too thin and not ballsy enough. The drop from 100 to 50w thickened up my sound, after trading around a few amps I ended up with a "good one."

The best thing you can do is to find an amp with a good master volume. Chances are you'll never need a 100w guitar amp- only get the 100w if it sounds better to you. It's not more manly, it's not more rock, it's not more punk. It's only more unneccessary power and weight.
 
Re: Looking for a stack

Too damn loud is what I keep hearing, but I'm AGAIN reminding everyone I'm looking for a head with a 50/100W switch so I can crank it up when needed. Also I'll have a sound proof room to play guitar, and my drums, so too damn loud isn't an issue unless your too damn old.

Riiiiiiiiggggght.

How about club owners, booking agents & soundmonkeys telling 'ya that 'yer rig is just too fukking loud & if you can't turn it down then you can't come back?!

Does that count for anything?!

I've been playing guitar since 8 or 9 and I'm within spitting distance of 30...

I've ALSO been putting food on my table for over 10 years solely though audio engineering & producing... makin' records & mixing 'house' at clubs & festivals for artists known & unknown...

A 50 watt tube head is MORE then enough unless you gotta fill a stadium.

That's why the 100 watt stack was created anyway, back in the '60s & '70s PA's weren't so great and were mostly for vocals, drum reinforcement & other bits that aren't loud.

In a small place (small being anything under 400-500 capacity) anyone, and I mean ANY-ONE with a half-stack probably isn't going to have their rig on in the house mix.

Doesn't matter if your Joe Blow or Joe Bonamassa. I've shut his rig off in the house or just barely cracked it into the mix 'cause it was waaaaaay too much even with 250 odd people in the club...


Don't confuse "solid state" watts with "tube" watts either.


They 'measure' about the same on a bench but the real world differences are astronomical... mostly relating to headroom, clipping & what happens when the output stage is being drivin HARD.

Back when I was 17 I bought a Dual Rectumfryer head a 4x12 cab 'cause my JC120 (120 watt 2x12 combo) was getting BURIED by the other guitarists rig, a 5150 half-stack.

Life was great until I had to move it by myself... and I couldn't get it past "1" when I was at home...

When I got to college it was EVEN MORE ludicrious. I joined a cover band and quickly realized that the amp was just oversized for the places we were playing.

Had less to do with volume and more about the way a 4x12 cab 'beams' and projects forward.

Might not be terribly loud to the player on stage, but get about 50-100' feet away and it's a chainsaw cutting the audience down.

Right now I'm using 40-50 watt heads with an open back 2x12... more then enough volume for any situation. Probably not exactly what 'yer looking for...


But REALLY dude...

'Ya gotta go play some stuff in the 'real world' and maybe some forward thought into it...


So this 'soundproofed' room...

You own the house?!

Gnarly.


Pretty impressive for a 17 year old!!!


I'm still renting.

Peace.
 
Re: Looking for a stack

I'm trying to think of the best way of saying what I want to say without sounding like a jerk. I can't so, here goes...

....The best thing you can do is to find an amp with a good master volume. Chances are you'll never need a 100w guitar amp- only get the 100w if it sounds better to you. It's not more manly, it's not more rock, it's not more punk. It's only more unneccessary power and weight.

I understand you're not trying to be a jerk and just trying to get your point across. At the bars and halls in my town the PA never mics the amps, but f*cking goes amp**** on the vocals (which isn't a bad thing) and the bass drum (which IS a bad thing). I want something tube for the tone, and something loud so that if I don't have the option of a PA, I'm still heard.

I want a stack because the sound of four 12s gives a good low end thump, and by telling me a 100W is more bright sounding just made me want one more. And I'm guessing the combo of the 12s balls and the 100W brighter tones would give me a good combo. I don't want one cause it's more punk/manly/rock n' roll. If I get something and someone says it's not punk enough I wont care, the only ____ enough I'm looking for is good enough to suit my tonal tastes and volume needs.

As for mids, I'm not aiming for a scooped sound, but then again I'm not aiming for harsh and spikey mids, the mid knob on my POS Fender 15W SS is usually around 5, treble 9 and bass 7.

The few gigs I've played I've borrowed or rented amps. One was 100W SS and another was 50W tube, and I got a bit of an idea from those.

Obviously I'm going to try all reccomendations before buying. And I thank you all for trying to warn me of the supposed woes of owning a 100W tube. I'm not completely excluding 50W heads either. But like Empty Pockets said, quit trying to shove that fact down my thorat. I've considered it, talked with people about it and am still focusing on 50-100 watts tube.

To Forbes: I'm kind of turned off by JCM 800s because of the clean tone. I guess I want something that balances British distortion with American cleans.

Still drooling over the Mesas, and also considering Bassman heads. Peavey I might give a go, but I'm not counting on me falling in love with it, because they've only disgusted me before. Keep the reccomendations/sugestions coming.
 
Re: Looking for a stack

in my experience, i'd say the placement of the speakers can make a big difference, too. speaker cabs, especially closed-back, direct the sound pretty much straight ahead. if you're practicing close to your amp, the speakers are only about waist-high, so not much sound is getting directed up at you. i've backed up about 15 feet from my amp and it sounds a whole lot bigger and clearer. also, if you're on a stage, you probably won't be able to hear your amp as loudly as the people who have the speakers right at their ear level.

i know this is probably very different from you, but i mostly play house shows and basements that can hold maybe 30 people, and having another cab (like a full stack) makes the guitar sound SO much louder. if you don't mind carrying around two 4x12s and have room in your car, you might consider getting a less powerful amp and spending your money on another cab if you're looking to sound really really loud. just a thought...
 
Re: Looking for a stack

i know this is probably very different from you, but i mostly play house shows and basements that can hold maybe 30 people, and having another cab (like a full stack) makes the guitar sound SO much louder. if you don't mind carrying around two 4x12s and have room in your car, you might consider getting a less powerful amp and spending your money on another cab if you're looking to sound really really loud. just a thought...

Been considering a head with a 4x12 and a 2x12. I think if I get a Bassman head (which are looking pretty appealing though they don't have distortion) I'll definately work 6x12s.
 
Re: Looking for a stack

To Forbes: I'm kind of turned off by JCM 800s because of the clean tone. I guess I want something that balances British distortion with American cleans.

Yeah i understand, worth trying one if you stumble across it though, i fell in love with mines distortion sound, and they are apparently very mod-able, so hopefully when im no longer a student/win the lottery i can have the clean channel nicely modded to be a bit 'cleaner'. Untill then i get by on what ive got.
 
Re: Looking for a stack

Been considering a head with a 4x12 and a 2x12. I think if I get a Bassman head (which are looking pretty appealing though they don't have distortion) I'll definately work 6x12s.

yeah, i used to have a Peavey Transtube head (100 watts solid state). it seemed pretty quiet and bland through just a 4x12, but then i added a 2x12 cab on top of that and it seemed to open way up with more speakers. i'd definitely say spend a couple hundred bucks on another cab first, because it'll probably make a bigger difference than doubling the power of the amp.
 
Re: Looking for a stack

Well, I'm going to be looking for used first, and although Bassman heads don't have a distortion pedal, if I get a good deal on one used off flea bay or craig's list I could buy a tube distortion, a 4x12 and a 2x12.

Buying new will be last resort.

So far my considerations for heads are:
-Fender Bassman (50 or 100, black or silver face)
-Mesa Dual Rectifier
-Mesa Nomad
-Marshall JVM
-POSSIBLY a Marshall JCM 800 or 900 SLX
As for Peavey, I'll try a couple out, not counting on being impressed.

So far my considerations for cabs are:
-Mesa Stilletto 4x12 (240W)
-Mesa Stilletto 2x12 (120W)
-Marshall MG412 4x12 (120W)
-Marshall MC212 2x12 (130W)
-Behringer Ultrastack BG412S 4x12 (400W)
-Fender FM412 4x12 (100W)
-Marshall AVT412X 4x12 (200W)
-Crate GT212S (title says 120W, description says 160W)
-Vox V412 4x12 (120W)

Clearly I jhave a lot of choices in mind. From this list, suggest what head and cabs you would suggest. I intend all trying all of these, i just want to see what all of you think. Aiming for a head with a 4x12 and a 2x12, and perfectly willing to mix brands (e.g. Fender head, Mesa 4x12, Marshall 2x12)
 
Re: Looking for a stack

A 1/2 stack looks too loud. That's the problem most people have with 1/2 stacks. They look at it, and assume it's got be louder than you know what. In reality many of the popular combos for gigging, such as as the Twin Reverb are much louder than a 50 watt head atop a 4x12. A popular gigging rig for clubs around here, is two Fender open back combo amps, such as two tweed bassmans or two Supers. That's actually much louder than the typical 1/2 stack, but the guy playing the 1/2 stack will get asked to turn down before the guy playing two combos, if at all.

I think the 4x12 is the quintessential guitar speaker cab. I think every guitarist should have at least one, and that he should gig with it when ever possible.

I like seperate heads and a variety of cabinets to suite different situations, over combo amps. Combo's, particularly most 2x12's are heavy and bulky. For those times when a 4x12 just isn't wanted, either because of weight/portability issues, or because others will think it's too loud, or if your playing a tiny room, then a more managable 1x12 cab is a wonderfull thing. Get an open back 1x12, or build one your self (that your head will look good sitting on), to compliment your 4x12. An open back will be less directional, and that's usually what you want in those situations were the 4x12 is too big.

I have combo's, but really they rarely get used. Only if I know that a combo is going be more suitable for a situation, will I pull the combo out of mothballs.

I've gigged plenty with limited PA facilities, and really a 50 watt head, or even a 30 watt head, will handle any situation were you won't likely be mic'ed up.

If you get a 4x12, get one with less efficient speakers. A Greenback loaded 4x12 is less loud than a V30 loaded 4x12. It's only a 3db diffrence, but it does make things a little bit more managable.

It's an ironic truth that a 50 watt bassman head is louder than a (stock) silverface bassmann 100 head. So wattage ratings arn't everything.
 
Re: Looking for a stack

bump. Keep the suggestions/opinions coming. Does anyone think that mis-matching brands between heads is cabs is good or bad? Curious to what everyone thinks.
 
Re: Looking for a stack

Playing a large bar/club and you're cranking your amp you're blowing out the first few rows, and no one else can hear you- most 4x12 cabs are pretty directional- the sound goes in the direction the cab is facing- unlike an open back cab that sound is more like "radiating" from. Rely on the PA.


Good advice. Nobody needs a stack. Half stacks are ok, but seriously...

I have a 50 watt Marshall dsl50 head and 1960a cab. The main venue I play is over 400 people...I hardly think you need a half stack. Think of how hard it is to transport a 4x12 cab by itself! You NEED two people to carry it up/down stairs and stuff. Plus, the head isnt exactly light. Dont forget your other equipment, guitars, cables, pedals, etc.

Get a 2x12" combo and do yourself a favor. I hardly think your gigging more than 100 people...

You are 17, and therefore cannot even enter a bar...at least where I am. Maybe save up for a good guitar? You are probably going to want to upgrade that squier strat sometime in the future. I have a squier strat lying around too, and yes it is also an affiinity. They do play pretty well, etc, but in the end you will want a better guitar.

after all this advice...you are probably just going to go to a music store, and rely on what the sales people tell you anyway...
almost nothing people say here really matters in reality when making gear purchases. The reality is you are going to go to a music store, and buy the amp you like. Its much better to try them out in real life
 
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