Who's getting the extra money Marshall is making for slapping Rhoads' name on this thing?
Because Randy's probably just a dirty skeleton by now...
well, i like his note choices, and i like his approach to his solos- they have this 'worked out' kinda feel to them. like frank gambale- one of the most monster players alive right now, but i can't stand the sound he has gotten over the past 20 years.
Let me start by saying I am a HUGE fan of Randy's playing. I have heard for many years, on many different forums, guys talking about how his tone sucked and so forth. Yet, with all the technology and advancements in gear and recording technology that have taken place in the 25 to 30 years since Randy recorded those albums, I have yet to hear any of these critics share any of their own recordings featuring the earth-shattering tone that Marshall should no doubt be paying tribute to instead of Mr. Rhoads. :biglaugh:
Stopped in GC tonight to pick up some strings, and ended up putting down a deposit for the RR head. They have no idea when they are getting them, but I got dibs on the first one.![]()
How can you guys be a fan of someone's playing yet hate his tone??? :smack:
To me, a player's tone is what attracts me to a player.
Did they even have a price to tell you?
Stopped in GC tonight to pick up some strings, and ended up putting down a deposit for the RR head. They have no idea when they are getting them, but I got dibs on the first one.![]()
I loved his studio tone as well..it FIT the music..was is it warm? hell no...was it it "brown"?...hell no....people crack me up...ozzy was AS HEAVY AS IT GOT in 1980..and Randys tone was heavy as hell and it fit perfectly...its agressive and raunchy and cut like mad...
If he was playing with Angus Young Tone, or EVH tone..it would have sounded like ass...
Heck, I want that whole fullstack.
I'll have fun with it for a few years, then sell it for 10 grand when there's no fullstacks to be had. I'll put it next to my mint Jubilee stack that's rising in value faster than anything I own.
To bad a G&L, Tele, and BLUE mic have to hit the auction block! I ain't rich, but I get what I want.
Did they even have a price to tell you?
That's awesome that you'll be one of the first to get one. I have a feeling it'll be a great amp to play loud. I'd love to hear it cranked up with strats too.
Hmm, does anyone know if these will be limited numbers only?
dude, wait til secondhand. It may be a great sounding Marshall, and it may not. Especially considering you could pick up a s/h Germino, Roccaforte, Reinhardt etc...
I agree. My first move will be to spot one of the first used ones on Ebay, then buy it now.
However, I think this amp will be such a hit that they'll be hard to find used.
A lot of people will be clamoring for the used ones. Plus, I haven't even played it yet. I thought I'd like the Vintage Modern, and ended up NOT liking it.
I don't have any plans to use it as a main amp, although it's possible. It's mostly as a cool amp to own....partly as an investment. The other amps you mentioned will drop in value by a few hundred, and then stay there.
This RR Marshall will stay at face value, then rise, after they're long gone. Just like the Slash model. Only if it's a killer amp though. I'll know once I play one.
DA%@#^$%@^ I wish I was at the NAMM show this weekend. :sad:
Same as the other artist heads, propably (Kerry King, Zakk Wylde, Jimi Hendrix). Oh, btw, Is that avatar from a rescent Thin Lizzy Tour, at least it looks that way, with Gorhams black Strat and old looks.
That looks AWESOME!!