cliffenstein
Active member
Here's a short iPhone comparison video I made for a friend...I think the Windsor holds up well.
If you want my honest opinion i'll give it but you prolly wont like it.
They both sound great. The Marshall sounds a bit more compressed. I own a JCM 2000 and I think I am digging the Peavey more. Which channel setting were you using in the JCM 2000?
I can appreciate what the Peavey is, but a good Marshall at stage volume will walk all over a Peavey every time.Negative honest opinions don’t bother me in the least. Go for it.
I can appreciate what the Peavey is, but a good Marshall at stage volume will walk all over a Peavey every time.
PV's in my experience the tone gets squashed the more you turn them up and not in a good way. They lose their voicing.
I had a friend that was a great player, had a 5150 II that sounded great by himself but was totally lost in the mix.
Best medium size club amp i ever heard was a JCM-800 100 watt. after the first set i went up and talked to the guitar player to see what pedals he was running.
No pedals, guitar straight in turned 1/2 way up. It was Amazing.
The same club my friends 5150 got lost in.
I prefer the Marshall's tone in this video. More mid punch and snarlier. The Windsor does sound more open in the highs and less compressed overall.
Windsor sounded more like my cup of tea
This talk of 5150s getting lost in the mix is the most absurd conversation I've ever read. Rectos, sure, but 5150s? They're notorious for how well they cut, and how they tend to make the other guitarist in a 2-guitar band completely vanish unless they dial in a really weird way with the treble down.
Re: the original video, I preferred the Windsor. Punchier, a bit drier. Reminds me more of an early vertical-input 2203, while the DSL seems to be based more on a later horizontal-input 2203, but made a bit brighter as well.
If you want my honest opinion i'll give it but you prolly wont like it.
...Why were you having to work hard with the controls on a 5150? Red channel, Pre-gain 3, B/M/T 6/6/7, Post-gain 3 or higher, Resonance low, Presence at 5 or 6. Done.
Now, making room for the other guitarist is a different story...