Zerberus said:My clean tone is the diametric opposite of my Distorted tone: ice cold, distant, eerie and totally devoid of any distortion.... like a huge cave with a distant drum beat that ´s almost pitch black as far as lighting goes, or even the same beat in space.... You´ll hear it if we ever sell enough EPs to release the album, lol :laugh2:
larry_emder said:And why are you boycotting? i dont understand
I don't get it...Zerberus said:Google "Ruby Tubes" and "Paul Ruby Amplification" and you´ll understand the boycot of Ruby Tubes / Magic parts products. This automatically extends to any product using Ruby Tubes products in their construction, in this case Mesa using their matching system (AFAIK in addition to their own but that´s beside the point)
Rocker35 said:Being totally taken with my Engl, I would suggest a Powerball, an SE (which has midi capabilities) or wait a few months for the invader. Altermatively, Engl does some top notch rack gear -
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The universe of sound built in two rack units, improved for the next generation of ambitious guitar players: The preamp section of the famous E 670 head. 6 basic sounds and 8 switchable soundoptions to store in 128 Midi presets. From Crystal clean through smooth Jazz, from Texas crunch to pounding Rock, from fat Metal- Punch rhythm to screaming Leads. Get ready to Rack ’n’ Roll.
4 channels: Clean, Crunch, Lead 1, Lead 2, each one in modern or classic mode, 3band EQ for Clean/Crunch channel plus Crunch treble, 3band EQ for Lead 1/Lead 2 channel plus Lead 2 treble, Contour, Bright, Ultra Bright, Mid Edge, Mega Low Punch, noise gate, stereo fx loop (serial) 5 x ECC 83
preamp tubes.
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The new standard in rack power amplification. The 950/100 is the new kid in town. 100 watts per side: more power, more dynamics and sonic punch in conjunction with innovative
player’s features. The best match for the 580/570 preamps, full MIDI switchable. Stereo dual looper plus stereo fx loop to switch between 2 different preamps and one fx unit on/off the signal chain per MIDI. ECS tube protection. The new SCC (Speaker Connect Check) will check if there are actually speakers
connected otherwise the amp will standby. Hi/Lo power switch from 100 to 50 watts per MIDI to preserve the headroom for clean sounds – switchable at a glance. The new 950/100 is the perfect solution for high class rack amplification.
Nightburst said:Why not replace the v-twin with another pedal/pre amp? And is the Marshall on your black list now also?
...and it instantly revives the pedal issue... Otherwise an SFX-03 would have also been an option.. I don´t have time to concentrate on stupid tapdance routines live, and am not even going to start in that direction by reintroducing pedals to my live rig.... Even the V-twin pedal was merely an emergency backup solution that I´m gald I never really had to useIf you are just getting rid of the v-twin then I would recommend a Koch pedaltone, that thing has awesome features and Koch = Unholy tone.
For an amp head I would recommend a Koch Multitone (6l6) or Powertone II (el34), I only have experience playing through a Multi tone but the Powertone ripped my head clean off when I heard it for the first time! Soooo rude!
An Bogner ecstacy would have not enough gain for your tastes on it's own, but it will do anything else better than any other amp out there.
An Ubershall would suit you perfectly, I've heard it do lower gain stuff too and it rocks hard! Bogners are not one trick pony's!
There is also this Italian company called Brunetti, I've never heard their amps but they are high gain and made in Modena which is the hometown of Ferrari! That has to mean something.
Looking for something cheaper: London City Bulldog, best value on the market right now. Sounds pretty good!
Great solution when you have someone to lug for you...TwilightOdyssey said:For my 2 cents ...
I say use 2 heads, one for clean and one for gain.![]()