I used to have an SZ320 at one time. I loved it for what it was, but it didn't sound amazing. Played alright, but could've used a fret level. I think I'd prefer the 320 over the 520. Some 520's look great, but most of them have underwhelming tops. At least from the ones I've seen here locally. I'll keep an eye out, though!Have a look at a used Ibanez SZ520. I got one for $350. I upgraded the pickups (Duncan Designed Distortion bridge and 59 neck) because I wanted something different.
Plays better than my LP and plays/looks as good as the PRS McCarty S2 that I tried.
I tried a Screaming Demon in the bridge, with A5, with A8, and with filter screws. It was not making it.I used to have an SZ320 at one time. I loved it for what it was, but it didn't sound amazing. Played alright, but could've used a fret level. I think I'd prefer the 320 over the 520. Some 520's look great, but most of them have underwhelming tops. At least from the ones I've seen here locally. I'll keep an eye out, though!
Mine had EMG's back in the day. I just meant that mine was acoustically kinda dead-sounding. Not very fat as I would've thought with the fat neck and body.I tried a Screaming Demon in the bridge, with A5, with A8, and with filter screws. It was not making it.
So I installed a set of EMG Retro Active Fat 55 and now my SZ520 sounds very good.
Yeah, I don't doubt it. Never had the Retroactives, but I had the Jim Roots which are based off the Retroactive platform, and those sounded and performed just like really hot passives.Mine is very lively acoustically. And such a joy to play.
EMG Retro Active are very different from other EMG pickups. Fat 55 are more like hot vintage passive pickups, in sound and feel. I have a set of 60/S/S and they sound like they're made from a different company
I like the neck binding. I don't need the neck binding. But I like the neck binding. I just don't like the burst finishes on the Standards, nor do I need the flamed maple top. I like the flamed maple top, but I think solid finishes are elegant as well. That's why I really want a Classic. It's got the body thickness of a Standard, but it's stramlined like a Studio.
But I also want a wine red Studio. Or a white Studio with the gold hardware, but I don't think those are being currently made?
Oh, I don't mind it, personally.I never said anything bad about neck binding. In fact on almost all of my custom guitars I put binding on the neck.
It's just the stupid Gibson way of doing neck binding that I don't like...nibs.
I don't mind it, personally.If I have ergonomic issues with a guitar, I won't play it, no matter what it sounds like. So, I get not digging those things about LPs.
What kind of neck profiles do those have?Univox Hi-Flier
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Have you though about a Fender Special Edition Custom Telecaster, FMT HH? Mexican Telecaster but with set neck like an LP, 2 humbuckers like an LP, flame maple top like an LP and red like an SG . I played one in the store (L&McQ Montreal) last year and it was pretty nice, and one of the lightest guitar I ever played.: SG Tribute in red, although the local store only has a couple which have got a horribly sickly pale fretboard, a PRS S2, although I'm not crazy about it having a trem, or a Mexican Tele, which I'm not sure I love it having a 9.5" fretboard radius.
Opinions?
Thanks!
It's just the stupid Gibson way of doing neck binding that I don't like...nibs.
I'll give the Pearly Gates Plus a try, but I think I might have to drop a Black Winter in there just for good measure, LOL.