Re: ...sorry, but I can't stand digital amps....
First off, having actually met Jeff Seal, I can assure everyone he's the last person around here who would want to offend anybody.
Second, I do see where he's coming from. The ONLY reson I can think of for digital amps is the wide tonal pallet, which IMO is a case of quantity over quality. I've spent years swapping amps, looking for
my tone and I've got it pretty well narrowed down - I like cranked Marshalls. So, why go to all the trouble of a multi-layer PC board, DSP processor chips, and all the sampling and modelling software, when I really just need this?
It might look like a rats nest to some, but I can see the entire signal path laid out right in front of me. Its componenet count is low - just 3 tubes and a coupla dozen resistors and caps. I can troubleshoot it, tweak it as desired, and guess what? It sounds like an overdriven tube amp because it IS an overdriven tube amp.
From Jeff's perspective (the guy who has to repair them) it's just silly to use CPUs and DSP's containing
millions of transitors to simulate a few tubes, especially when the digital stuff fails in the end to sound as good as the tubes did in the first place.
As far as the vesatility/wide tonal pallette thing goes, I think many choices can be a good thing when you're investigating tones but as we start to grow as artists, we have to start developing our own style. At some point, we narrow the choices to what's "us", and I think these narrowed ranges can usually be handled by a few amps and effects. Someday, I'd like to get a better clean sound but I won't replace my Marshall clone with a digital amp with 87 models to get it. I'll just add a nice Deluxe or Super and an A/B switch and I'm good.