Tribute to British Tone.

Re: Tribute to British Tone.

I've seen them go for $1300 to $1700....give or take, depending on who's selling(store vs. private owner).

I need to take some new pics....I scooped a guys Tophat cab & I know looks don't mean sh!t, but the package is complete when you look at it :D
 
Re: Tribute to British Tone.

here's my toy...1979 JMP 50w

JMP2.jpg


-Mike
 
Re: Tribute to British Tone.

Wow, i've never seen a Tribute to british tone thread before.

I hate it, but i'm british so for people on here who are mainly americans is probably unusual.

I'd take a 6L6 Tube driven Peavey or ENGL over any twangy Marshall anyday.

I like the Marshall Cabinets (1960A & B), but i don't like their heads.
 
Re: Tribute to British Tone.

Here's my Marshall Jcm 900 2100slx.
DSC00320.jpg

It's perfect for some Jcm 800 and hot rodded tones.
 
Re: Tribute to British Tone.

Sorry about the dark shot, but here's Joe Bonamassa's amp rig as of last summer.
 
Re: Tribute to British Tone.

Ken Fischer's great amps....

Trainwreck
bettylu.jpg


new Komet Concorde
ccd2.jpg


Komet 60
blackonred.jpg


Komet Constellation
const_pic.jpg


The Limited Edition
closefront.jpg
 
Last edited:
Re: Tribute to British Tone.

Thanks Gearjoneser, Rid and JeffH for the compliments (hope I didn't miss anyone). You all know where to go to get one of these yourself dontchya? Get to it before he comes to his senses and raises his prices! It sounds even better than it looks!

Adding the Traynor YCS100 to the bunch...
YCS100.jpg

This one isn't right due to a parasitic oscillation in the pre that needs a new board, but with a new tube, it's a killer. Bogner better watch his backside with this amp. It will be unholy murder when I get a cab with G12H30's and Vintage 30 cross pattern for it. You'll be hearing lots of boutique guys bemoaning the fact that they spent so much on their rigs once they hear it. One good pre tube woke the beast right up and it started spitting flames out the normally sweet Edana cab. Take a Sovtek 12AX7LPS into a music store with you along with a stubby screwdriver and have the tech install it in V1 and you're in for an inexpensive treat! It's EL-34 based and it's made for use with Vintage 30 loaded cabs. Sounds very british to me though channel 3 sounds Bogner as can be.
 
Last edited:
Re: Tribute to British Tone.

So far, from this thread, I've learned of two amps I've never heard of.....Kelly and Roost.


If you look at the very top of my amp pics, you will see my Kelly sitting on the very top and the Carlsbro on top of the Gibson cab. Two of the most beautiful sounding amps I have ever heard. Much more creamy in the mids than the typical Marshall voice. I was lucky to find one, it is almost a 10 in terms of condition. ( The Kelly). The Cbro is lovingly scruffy as hell.
 
Re: Tribute to British Tone.

So far, from this thread, I've learned of two amps I've never heard of.....Kelly and Roost.

I found a website for Roost after I found an immaculate one on Fleabay a few months back. I was trying to find it yesterday to put here, but all I came up with was that pic. I'll see if I can find it again.
 
Re: Tribute to British Tone.

Here's a snippet I found:

posted by Terry Bateman (Ex Roost Employee) on December 20, 2001 at 17:01:24:

: Hi All,

: Roost sound equipment was started back in 1972 by Brian Roost (hence the name) and Ron bailey, who were both local musicians based in Southend-On-Sea, Essex, they were also at the time fixing amps for the local music shops and bands. The Roost amp is similar to the Hi Watt amplifier with a little bit of the early 100W Sound City amp throwen for good mesure. The early amps also used Sound City transformers, as Sound City were also built in Southend at the same time. The Early amps had a black engraved front panel similar to the Hi Watt amplifier; the circuitry was built on tag panels, whilst the later amplifiers had black screen-printed metal front panel; and the circuitry was then built on a Printed Circuit Board.

: The range consisted of 50, 100 & 150 Watt amp heads with the option of reverb, the later units had a master volume control, there was also a range of 2x12 50 & 100 Watt combo amplifiers, both available with reverb, there was also a range of speakers to go with the amplifiers 2x12, 4x12, 1x15 & 2x15 early units had Fane speakers but the later units had Celestion speakers, there was also the option of EV as well.

: The amplifiers were of a rugged construction with a hefty steel chassis and large transformers, the 50 and 100W amplifiers gave a good 50 & 100 Watts RMS output, whilst the 150 Watt gave 125 Watts but it did have six EL34’s (viz Sound City 120 head). The circuit was well engineered and gave the typical British valve sound. The driver and output stage gave a lot of grunt, typical of the Hi Watt and Sound City circuits. I remember the 120 Watt amp with its six EL34’s making a good Bass amp, whilst the 50 watt really “sung”
:
: I first got involved in Roost in 1975, whilst at school, and looking for bits (transformers chassis etc) to build my own guitar amplifier, I went on to spent that summer working at Roost, and in exchange they gave me parts to build my own amplifiers, I went on to join Roost full time the next year when I left school, the experience I gained working at Roost building Roost amplifiers & fixing + hotting up other makes of amplifiers is invaluable even to this day, Roost never had more than eight employees, in fact when I joined there were only four employees including me.

: Roost was sold in 1980 to FAL who were based in Leeds, I was also made redundant when Roost was sold, and so I moved on, I now work for a local Hi-fi company as a design engineer, but I still fix and work on valve amplifiers for local musicians.
 
Re: Tribute to British Tone.

Thanks for the bump in Kenny Fischers honer Joe. I'll likely never have the type of money required to buy an original Trainwreck, but I will own a Komet someday.
 
Back
Top