L
Lewguitar
Guest
I installed a Pearly Gates neck pickup and Duncan Custom bridge pickup in my 80's MIJ Fender Strat. This is a twin humbucker, alder body,
maple neck with rosewood fingerboard and medium jumbo frets, 24 3/4" scale, vintage style vibrato Strat.
I also installed a on/on/on mini switch for each pickup so I can switch from series to single coil to parallel for each pickup.
500K master volume and master tone with .02 Hovland tone capacitor on the output of the volume control: the 50's mod.
Been playing mostly through my blackface Deluxe Reverb amp with a Celestion G12H30 12" speaker. This is a tweaked Deluxe Reverb with one channel tweaked for more gain and with a Marshall plexii/59 Bassman tone stack. Reverb on both channels.
The sound of the Pearly Gates neck pickup reminds me of the resonance of a big glass bottle or jug! The mids are not as thick and have less "honk" and "wool" than a 59N and more transparency. Sort of glassy but smooth and round and not sharp or harsh at all.
I'm a big fan of the Pearly Gates neck pickup because I can get a clearer tone from it for rythym and chords when I'm playing at loud, blues/rock volumes, than I can from a pickup like the 59n, which has more bass to my ears than the PGn.
Plenty of output from the PGn for Robben Ford style overdriven blues/rock style soloing on the neck pickup too, but the tone clears up nicely for chords and jazzy voicings when I turn down the guitar's 500K volume control.
The tone of the PGn clears up even more, and starts to sound like a Strat neck single coil when I split it. It's an excellant tone! Not exactly like a Strat single coil, but totally usable with deep bass, clear mids and bright, open and poppy when I pluck a note...an excellant tone for Strat soloing and rythym tones, and plenty of output.
Alot of time I'll leave the PGn set for single coil and the Custom set foe series. Kind of a nice preset for going from clean rythym to searing soloing tones!
The parallel tone is kind of useless! It's the weakest of the three tones on the on/on/on mini switch but it is humbucking...so maybe if I was playing rythym on a really buzzy stage and wanted some of the clarity of a single coil but needed it to be humbucking I might use the parallel setting.
Now onto the Duncan Custom bridge pickup...
maple neck with rosewood fingerboard and medium jumbo frets, 24 3/4" scale, vintage style vibrato Strat.
I also installed a on/on/on mini switch for each pickup so I can switch from series to single coil to parallel for each pickup.
500K master volume and master tone with .02 Hovland tone capacitor on the output of the volume control: the 50's mod.
Been playing mostly through my blackface Deluxe Reverb amp with a Celestion G12H30 12" speaker. This is a tweaked Deluxe Reverb with one channel tweaked for more gain and with a Marshall plexii/59 Bassman tone stack. Reverb on both channels.
The sound of the Pearly Gates neck pickup reminds me of the resonance of a big glass bottle or jug! The mids are not as thick and have less "honk" and "wool" than a 59N and more transparency. Sort of glassy but smooth and round and not sharp or harsh at all.
I'm a big fan of the Pearly Gates neck pickup because I can get a clearer tone from it for rythym and chords when I'm playing at loud, blues/rock volumes, than I can from a pickup like the 59n, which has more bass to my ears than the PGn.
Plenty of output from the PGn for Robben Ford style overdriven blues/rock style soloing on the neck pickup too, but the tone clears up nicely for chords and jazzy voicings when I turn down the guitar's 500K volume control.
The tone of the PGn clears up even more, and starts to sound like a Strat neck single coil when I split it. It's an excellant tone! Not exactly like a Strat single coil, but totally usable with deep bass, clear mids and bright, open and poppy when I pluck a note...an excellant tone for Strat soloing and rythym tones, and plenty of output.
Alot of time I'll leave the PGn set for single coil and the Custom set foe series. Kind of a nice preset for going from clean rythym to searing soloing tones!
The parallel tone is kind of useless! It's the weakest of the three tones on the on/on/on mini switch but it is humbucking...so maybe if I was playing rythym on a really buzzy stage and wanted some of the clarity of a single coil but needed it to be humbucking I might use the parallel setting.
Now onto the Duncan Custom bridge pickup...
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