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Just wondering what you all think and why.
The Super Distortion sounds great for clean jazz and blues....QUOTE]
huh? Really?
I like the JB because you cut like a knife in the mix when playing solos.
The Super Distortion sounds great for clean jazz and blues....QUOTE]
huh? Really?
Yeah really. You should try one some time. It's a great pickup and you might like it. A local jazz player I heard uses a Super Distortion through his Fender amp and he has a great sound.
This isn't the best video but I didn't have time to really look around. He uses an SG with a Super Distortion and a Fender Pro jr. He's not a magnificent jazz player but even on the camera mic it doesn't sound too shabby.
http://www.guitarsolos.com/videos-epiphone-sg-g-with-dimarzio-super-[JVcQoszCAw0].cfm
...and you almost completely disappear in the rhythm...![]()
just kiddin', but, really, for rhythm the Jb is not the best pickup in my opinion, at least in my experience.
Yeah really. You should try one some time. It's a great pickup and you might like it. A local jazz player I heard uses a Super Distortion through his Fender amp and he has a great sound.
This isn't the best video but I didn't have time to really look around. He uses an SG with a Super Distortion and a Fender Pro jr. He's not a magnificent jazz player but even on the camera mic it doesn't sound too shabby.
http://www.guitarsolos.com/videos-epiphone-sg-g-with-dimarzio-super-[JVcQoszCAw0].cfm
Yeah really. You should try one some time. It's a great pickup and you might like it. A local jazz player I heard uses a Super Distortion through his Fender amp and he has a great sound.
This isn't the best video but I didn't have time to really look around. He uses an SG with a Super Distortion and a Fender Pro jr. He's not a magnificent jazz player but even on the camera mic it doesn't sound too shabby.
http://www.guitarsolos.com/videos-epiphone-sg-g-with-dimarzio-super-[JVcQoszCAw0].cfm
OMG!!! You've got to be kidding me!!
This guy is NOT a jazz player. He's not even a guitar player.
I'm not a great guitar player by any stretch of the imagination, but if that were me, it would embarrass the heck out of me.
As far as the tone is concerned: (I assume that the SD was in the bridge) it sounded tinny, spikey, thin/no body, kinda cheap/Asian made, sterile.
I was getting a little curious about the SD from some of the descriptions I've been reading, but after seeing/hearing that video, I'm not interested at all in that pup anymore..
His playing is sort of jazz-inflected, but the tone is weird. I can't pay any attention to the playing, the tone makes me cringe. Bright but congested on the neck, it's no wonder people are unimpressed with the bridge tone when he switches. I don't know how much of that is the SG, and how much of it is mismatched amp or mis-set tone controls, but it doesn't do anything for me.OMG!!! You've got to be kidding me!!
This guy is NOT a jazz player. He's not even a guitar player.
I'm not a great guitar player by any stretch of the imagination, but if that were me, it would embarrass the heck out of me.
As far as the tone is concerned: (I assume that the SD was in the bridge) it sounded tinny, spikey, thin/no body, kinda cheap/Asian made, sterile.
I was getting a little curious about the SD from some of the descriptions I've been reading, but after seeing/hearing that video, I'm not interested at all in that pup anymore..
I doubt it's a fair example of the SD, maybe it's a fair representation of it in an SG, but I don't know... May even just be the camera mic, but without hearing it in the room, can't tell what is going on from the video.
My personal experiences with both pickups put the Super D in the "more versatile and overall appealing" category. Most of the guitars I've played with a JB sound muddy and awful... I usually switch to the neck pup which was usually a '59 when I'd try those guitars. Most of which were mahogany LP-style axes. The Super D, on the other hand, I had hard-mounted in my Strat, as well as having played them in real Les Pauls, Charvels an SG and a few others I can't remember and all those guitars sounded wonderful and balanced. The Super D never sounds thin or bright, but the bass never gets boomy or too thick to my ear.
A true masterpiece from the DiMarzio guys, imho.
OMG!!! You've got to be kidding me!!
This guy is NOT a jazz player. He's not even a guitar player.
I'm not a great guitar player by any stretch of the imagination, but if that were me, it would embarrass the heck out of me.
As far as the tone is concerned: (I assume that the SD was in the bridge) it sounded tinny, spikey, thin/no body, kinda cheap/Asian made, sterile.
I was getting a little curious about the SD from some of the descriptions I've been reading, but after seeing/hearing that video, I'm not interested at all in that pup anymore..
No way! This is not the local guy I was talking about. You need to read more carefully. It was just some video I found in a quick search.
My personal experiences with both pickups put the Super D in the "more versatile and overall appealing" category. Most of the guitars I've played with a JB sound muddy and awful... I usually switch to the neck pup which was usually a '59 when I'd try those guitars. Most of which were mahogany LP-style axes. The Super D, on the other hand, I had hard-mounted in my Strat, as well as having played them in real Les Pauls, Charvels an SG and a few others I can't remember and all those guitars sounded wonderful and balanced. The Super D never sounds thin or bright, but the bass never gets boomy or too thick to my ear.
A true masterpiece from the DiMarzio guys, imho.
Thank you. That's what I'm talking about.
...and you almost completely disappear in the rhythm...![]()
just kiddin', but, really, for rhythm the Jb is not the best pickup in my opinion, at least in my experience.
Now i would agree a JB with a Marshall and V30's would be to much,yuck.
Jerry Cantrell, Dave Mustaine, Warren DiMartini and a host of other players would dissagree with you.
depends on how you mean versatile, ie works well in a heap of different guitars (SD) or covers a lot of musical ground (JB)