Reckless Abandon
New member
Re: When you hear the word PLEXI...
AC/DC and early EVH, Kiss alive
AC/DC and early EVH, Kiss alive
Yeah man, I think of the Koss too. Hendrix, Zep, Cream, EVH, AC/DC, all the classics. It just makes me think rock. Legendary stuff.
Hot_Grits said:The thing about Kossoff is that what you're hearing is a Les Paul, a cable and a plexi. That's it. A lot of those other plexi users had fuzz, treble boosts, mods etc going on.
stevie_bees said:Paul Kossof has what I consider to be a classic, basic Plexi sound. Les Paul+Plexi+Koss's fingers=Rock Tone.
I find it kind of ironic (considering your name) that you consider plexis boring when Alex Lifeson was using a wall of non-master Marshalls up until Farewell to Kings. His backline for the 2112 tour consisted of eight NM Marshalls driving eight 4x12s. I don't know if he actually used all of them, but in all the pics/vids I've seen all eight pilot lights were on.Boring.
I find it kind of ironic (considering your name) that you consider plexis boring when Alex Lifeson was using a wall of non-master Marshalls up until Farewell to Kings. His backline for the 2112 tour consisted of eight NM Marshalls driving eight 4x12s. I don't know if he actually used all of them, but in all the pics/vids I've seen all eight pilot lights were on.
I guess I'll have to add vintage Rush to my list of cool plexi tones (even thought it was technically a metal panel).
What recordings do you think of?
For me, it is definitely Spoonful by Cream and Voodoo Child by Hendrix - just the two that come up first.
I chose my name awhile ago when I was really into Rush. I still like them, and I guess when I think of Marshalls I do think of early Rush (and Hiwatts), but I don't really like Marshalls anymore.
When you folks say AC/DC, you need to specify. Angus uses the JTM-45 mainly on lead and fills etc. Usually, if you're hearing Angus you're hearing a JTM-45. Hence the sweet singing nature of Angus's lead work. The grittier sounding Plexi is used in all rythem work. Usually, Malcom is the Plexi player and Angus is the JTM-45. The differences are slight, but are still audible. Occasionally on studio work Angus would use the plexi also, but it wasn't terribly common. He mainly used the plexi for riffing. Those rolling gravel type riffs primarily where you could hear the harmonic undertones throbbing under the mids.
Some call the JTM-45 a plexi too, but I like to make sure that they are seperated because they do sound different. The JTM-45 is lower gain and a bit sweeter/smoother sounding. The plexi is a tad rough and rude but has an underlying sweetness and smoothness that just satisfies the soul. Both are beautifully designed amps and equally worth having. The JTM-45 is like bottle of Dom Perignon, while the Plexi is more akin to a really good beer.
Interesting-I didn't know that both were used. I guess I'll hop in the Camaro and dime some FTATRWSY! Kinda cool to be able to hear both on one recording.
ZZ TOP (First album and large parts of all their other stuff...)
Cream
Jeff Beck (Truth and Beck-Ola for sure)
Anyone know if the Thin Lizzy guys used plexis back in the day? And, if not, what kind of Marshalls did they use?
Malcolm and Angus both use old Marshalls, but as Scott said, alot of it is JTM-45s, and even their 100W amps are fitted with KT66s or 6L6s instead of EL34s.
EVH used 6CA7s in his Plexi, but that is one of my favorite tones.
Jimi used 6550s in his Marshalls (as does Zakk) to make them louder and cleaner.