Re: which wah do u prefer
Teese or to a lesser degree Fulltone wah's blow any modern wahs on the market away.
I've owned basically every Dunlop and Vox and Morely on the market and when you a/b them to a Teese or Clyde they just sound so darn thin and unmusical with a weak sweep and shrill top end.
Try a Picture Wah or RMC3 and you'll get this ungodly smooth and rich sweep thats just so rich and toneful over its entire range not to mention a few smooth top end that cuts yet never sounds shrill.
Add to that the ability to dial in the Q, mid voicing and sweep on the RMC3 and you've got your dream wah tone in there somewhere.
You can go for the crazy sweep of a Colorsound to a vintage Thomas to an ultra crazy theme from Shaft typel funky cut on the thing.
Its not just like tweaking one wah voice like the Dunlop Q but literally like go from different wah pedals
Add to that the FoxRox buffer circuit and Geoffery Teese's personal service and you can't get anything better.
Teese or to a lesser degree Fulltone wah's blow any modern wahs on the market away.
I've owned basically every Dunlop and Vox and Morely on the market and when you a/b them to a Teese or Clyde they just sound so darn thin and unmusical with a weak sweep and shrill top end.
Try a Picture Wah or RMC3 and you'll get this ungodly smooth and rich sweep thats just so rich and toneful over its entire range not to mention a few smooth top end that cuts yet never sounds shrill.
Add to that the ability to dial in the Q, mid voicing and sweep on the RMC3 and you've got your dream wah tone in there somewhere.
You can go for the crazy sweep of a Colorsound to a vintage Thomas to an ultra crazy theme from Shaft typel funky cut on the thing.
Its not just like tweaking one wah voice like the Dunlop Q but literally like go from different wah pedals
Add to that the FoxRox buffer circuit and Geoffery Teese's personal service and you can't get anything better.