DrNewcenstein
He Did the Monster Mash
Re: Your gear (all of it) does NOT matter !
I think he has a point to some degree, which is being somewhat overlooked. As was said, if you have a Strat and a Deluxe, what you play will be similar to what you expect to hear from a Strat and a Deluxe. Meanwhile, what you play through a Les Paul and Marshall JCM800 is what you might expect to hear from that rig.
Because of the bright tone and snappiness of ebony fretboards, I find myself playing more country-tinged licks and Blues progressions and chords more than straight out Metal shredding, even on a Jackson KV. On a sunburst mahogany guitar, I lean more towards Zeppelin or Santana. On a guitar with a highly figured maple top I go for softer, clean Jazzy/Countryish stuff.
And despite most Thrash/Speed Metal being done on Ebony boards, I actually do more of that on maple, but that's probably because my pointiest Jacksons all have maple boards (Warriors).
I think what TM was saying is that the songs don't sound like they do because of the gear, but because of the player. Clearly you're not going to do any whammy acrobatics on a guitar without one. You're not going to get delay out of a distortion-only pedal, and you're not going to get JC-120 cleans out of a stock TripleRec. You write songs with what you have, and they sound good on what you write them on because you wrote them on that gear. By changing gear, you change how the song you wrote on other gear sounds. You won't get Tele tones out of a Soloist, but you won't get nylon A/E tones out of a Tele.
I think he has a point to some degree, which is being somewhat overlooked. As was said, if you have a Strat and a Deluxe, what you play will be similar to what you expect to hear from a Strat and a Deluxe. Meanwhile, what you play through a Les Paul and Marshall JCM800 is what you might expect to hear from that rig.
Because of the bright tone and snappiness of ebony fretboards, I find myself playing more country-tinged licks and Blues progressions and chords more than straight out Metal shredding, even on a Jackson KV. On a sunburst mahogany guitar, I lean more towards Zeppelin or Santana. On a guitar with a highly figured maple top I go for softer, clean Jazzy/Countryish stuff.
And despite most Thrash/Speed Metal being done on Ebony boards, I actually do more of that on maple, but that's probably because my pointiest Jacksons all have maple boards (Warriors).
I think what TM was saying is that the songs don't sound like they do because of the gear, but because of the player. Clearly you're not going to do any whammy acrobatics on a guitar without one. You're not going to get delay out of a distortion-only pedal, and you're not going to get JC-120 cleans out of a stock TripleRec. You write songs with what you have, and they sound good on what you write them on because you wrote them on that gear. By changing gear, you change how the song you wrote on other gear sounds. You won't get Tele tones out of a Soloist, but you won't get nylon A/E tones out of a Tele.